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- Conscious of the high expectations and the grandeur of the American concert scene, Rachmaninoff sought to create a work that would not only challenge his virtuosity but also captivate listeners with its emotional intensity and lyrical beauty.
www.davidchangmusic.com › story-behind-rachmaninoff-concerto-threeWhat is the Story Behind Rachmaninoff's Piano Concerto No. 3?
Sergei Rachmaninoff's Piano Concerto No. 3 in D minor, Op. 30, was composed in the summer of 1909. The piece was premiered on November 28 of that year in New York City with the composer as soloist, accompanied by the New York Symphony Society under Walter Damrosch . [1]
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Jan 31, 2024 · Sergei Rachmaninoff premiered the D minor Concerto in New York in November 1909 with Walter Damrosch conducting. He played it in several other cities, then repeated it in New York the following January, this time under the baton of Gustav Mahler.
Piano Concerto No. 3 in D Minor, Op. 30, composition by Sergei Rachmaninoff. The work premiered on November 28, 1909, in New York City with the composer as soloist. It was the first of many American triumphs for Rachmaninoff, who would ultimately make his home in the United States. In 1909, a few.
- Betsy Schwarm
Dec 14, 2023 · Despite being composed in 1909, well into the 20th century, Rachmaninoff's Piano Concerto No. 3 remains steadfast in its Romantic inclinations. Its expansive melodies, lush harmonies, and profound emotional expression are hallmarks of the Romantic era.
Until 1996, Rachmaminov's third piano concerto was largely eclipsed by its older sibling, the famous Piano Concerto No. 2 – but the gap between the two narrowed with the release of the film Shine.
As quite well known by now, Rachmaninoff, in his lifetime, allowed cuts to be made to his large scale works during performances, such as the 2nd Symphony. Not surprisingly, four cuts were sanctioned by Rachmaninoff in the Third Concerto and two additional cuts also exist: 2 in each movement.
So, when the opportunity to hear this all-Rachmaninoff new release on the OEHMS label, featuring arguably one of the most ‘romantic’ of them all arose – his Third Concerto in D minor – I grasped it with both hands.
