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The Arts and Crafts movement emerged from the attempt to reform design and decoration in mid-19th century Britain. It was a reaction against a perceived decline in standards that the reformers associated with machinery and factory production.
- Arts and crafts - Simple English Wikipedia, the free encyclopedia
Arts and crafts describes a wide variety of activities...
- Art - Wikipedia
The creative arts (art as discipline) are a collection of...
- Arts and crafts - Simple English Wikipedia, the free encyclopedia
Arts and crafts describes a wide variety of activities involving making things with one's own hands. Arts and crafts is usually a hobby. Some crafts (art skills) have been practised since preshistoric times, others are more recent inventions.
The creative arts (art as discipline) are a collection of disciplines which produce artworks (art as objects) that are compelled by a personal drive (art as activity) and convey a message, mood, or symbolism for the perceiver to interpret (art as experience).
- Distinction from The Fine Arts
- Influence of Different Materials
- Renaissance Attitudes
- Arts and Crafts Movement
- Mass Production and Customization
- See Also
- Further Reading
- External Links
The distinction between the decorative and fine arts essentially arose from the post-renaissance art of the West, where the distinction is for the most part meaningful. This distinction is much less meaningful when considering the art of other cultures and periods, where the most valued works, or even all works, include those in decorative media. F...
Modern understanding of the art of many cultures tends to be distorted by the modern privileging of fine visual arts media over others, as well as the very different survival rates of works in different media. Works in metal, above all in precious metals, are liable to be "recycled" as soon as they fall from fashion, and were often used by owners a...
The promotion of the fine arts over the decorative in European thought can largely be traced to the Renaissance, when Italian theorists such as Vasari promoted artistic values, exemplified by the artists of the High Renaissance, that placed little value on the cost of materials or the amount of skilled work required to produce a work, but instead v...
The lower status given to works of decorative art in contrast to fine art narrowed with the rise of the Arts and Crafts movement. This aesthetic movement of the second half of the 19th century was born in England and inspired by the writings of Thomas Carlyle, John Ruskin and William Morris. The movement represented the beginning of a greater appre...
In the context of mass production and consumerism some individuals will attempt to create or maintain their lifestyle or to construct their identity when forced to accept mass-produced identical objects in their life. According to Colin Campbell in his piece “The Craft Consumer”, this is done by selecting goods with specific intentions in mind to a...
Dormer, Peter (ed.), The Culture of Craft, 1997, Manchester University Press, ISBN 0719046181, 9780719046186Auther, Elissa, String, felt, thread: Hierarchy of art and craft in American art, 2010, University of Minnesota Press.Digital Library for the Decorative Arts and Material Culture - produced by the University of Wisconsin–Madison library system, funded by the Chipstone FoundationEuropean Sculpture and Decorative Arts collection from the Metropolitan Museum of Art, New YorkDecorative Arts collection of the National Gallery of Art, Washington, D.C.Collection of the Mobilier National, ParisArts and Crafts was a design movement initiated by William Morris in 1861 which aimed to improve the quality of design and make it available to the widest possible audience.
Arts and Crafts makers based in rural communities both revived craft traditions and created employment for local people. This kind of development meant that the Movement endured longer in the countryside than in the city, and had a more significant impact on the rural than the urban economy.
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Jun 11, 2018 · The arts and crafts movement began in Britain in the 1850s as a reaction to what proponents saw as the consequences of rapid industrialization: worker alienation, upper-class extravagance, and artistic degradation.
