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Country of My Skull has received wide acclaim outside of South Africa—being adapted loosely into a generally poorly reviewed 2004 film—but reception in South Africa has been more mixed. Krog divides Country of My Skull into five parts: “Before the Commission,” “First Hearings,” “Politics,” “Reactions,” and “Unwinding.”.
May 11, 2024 · Country of My Skull captures the complexity of the Truth Commission's work. The narrative is often traumatic, vivid, and provocative. Krog's powerful prose lures the reader actively and inventively through a mosaic of insights, impressions, and secret themes. This compelling tale is Antjie Krog's profound literary account of the mending of a ...
- (3.2K)
- Hardcover
- Antjie Krog
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Through the testimonies of victims of abuse and violence, from the appearance of Winnie Mandela to former South African president P. W. Botha’s extraordinary courthouse press conference, this award-winning poet leads us on an amazing journey. Country of My Skull captures the complexity of the Truth Commission’s work.
- Antjie Krog
- Paperback
Chapter 2:Country of My Skull exposes the deep wounds of apartheid and explores the complexities of truth, reconciliation, and healing in post-apartheid South Africa. One of the most powerful ways in which Country of My Skull exposes the deep wounds of apartheid is through its exploration of the personal stories and testimonies of the victims ...
Country of My Skull captures the complexity of the Truth Commission's work. The narrative is often traumatic, vivid, and provocative. The narrative is often traumatic, vivid, and provocative. Krog's powerful prose lures the reader actively and inventively through a mosaic of insights, impressions, and secret themes.
Through the testimonies of victims of abuse and violence, from the appearance of Winnie Mandela toformer South African president P. W. Botha's extraordinary courthouse press conference, this award-winning poet leads us on an amazing journey. Country of My Skull captures the complexity of the Truth Commission's work.
