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  1. Follow. The “interwar” period in European history refers to the volatile decades (1918–1939) between some of the world’s most devastating wars. This contradictory era witnessed both the march of Progressivism and the rise of Fascism. The art of this period was also polarized, as movements like Dada and Surrealism responded to the ...

    • Summary of Interwar Classicism
    • Key Ideas & Accomplishments
    • Beginnings of Interwar Classicism
    • Interwar Classicism: Concepts, Styles, and Trends
    • Later Developments - After Interwar Classicism

    After World War I, the Great Depression and social and demographic changes taking place internationally encouraged a revival in classical artistic techniques and subject matter in Europe. Many artists, some of whom had previously worked in avant-garde styles, sought to step away from fragmentation and expressionism toward idealized bodies and calm,...

    Interwar Classicism is a movement that challenges the idea of modern art history as driven by progress. Instead of looking forward (and building upon the innovations of Dada, Fauvism, Cubism et al)...
    It is difficult to separate the aesthetic turn toward tradition from the politics of the interwar era. Many artists found classicism to offer security in the wake of trauma, while others imbued cer...
    "Interwar Classicism" can be seen as an umbrella term that encompasses a range of different approaches. Some artists turned toward sculpting or painting idealized bodies in the style of ancient or...

    Following World War I, with an estimated twenty million deaths and widespread destruction, European society sought new ways of coming to terms with modern life. Artists and writers, prior to the war, had largely celebrated modernity through experimentation with new forms of expression intended to match the potential of new technologies. World War I...

    Painting

    Across Europe, painters influenced by classicism worked in traditions including portraiture, the allegorical nude, still life and landscape, selecting their subjects and modelling their compositions after those of antiquity, the Renaissance, and the neoclassical period that followed the French Revolution. The early twentieth century, including the interwar period, was a time of immense artistic fracturing, with a variety of different styles emerging to make sense of the changing world. These...

    Sculpture

    The increased popularity of classical styles during the 1920s and 1930s contributed to the prominence of sculpture, believed by many to be the most appropriate form for art. Marble, associated with the works surviving from antiquity, was favored by sculptors and patrons, speaking to a desire for the solid, permanent and stable. The material was used in styles akin to those of antiquity, with an emphasis on smooth, considered carving. The Romantic style associated by Auguste Rodin, whose rough...

    Architecture

    The politicization of the visual during the interwar period is clearest in evaluating the neoclassicism of European architecture, much of which was state-sponsored. The French, Italian and German governments all chose, as they rebuilt after the destruction of the war, styles that prompted comparisons with classical empires. These buildings were often monumental, symmetrical and made of stone, often lined with columns or topped with porticoes, in order to impress a sense of strength and order...

    Fascist Era

    As Europe moved closer to World War II, classicism became increasingly linked with authoritarian governments. In Italy, Benito Mussolini's interest in reviving the Roman Empire leant itself to the efforts of Il Novecento Italiano, even as Mussolini continued to court the support of both classical and modern artists. Across the French Empire, the use of European styles to represent Metropolitan French institutions, while local styles were used for local institutions, lead to the association of...

    Into Contemporary Art

    The Nazi Party's propagandistic use of classicism led to subsequent wariness. After many years, in the late twentieth and early twenty-first centuries, artists and architects involved motivated by a range of different factors have attempted to revive classical styles and subject matter. These have been particularly prominent beyond Continental Europe. In the late 1960s, a movement critiquing modern architecture, New Urbanism, emerged to advocate for a return to classical principles. In the Un...

  2. Movements and Styles in Interwar Modern Art. This section provides information about important art movements, styles, tendencies, groups, and schools during the period between World War I and World War II. Interwar Modern Art: 30 of 166 Total Movements. Select Another Criteria.

  3. Interwar period. Silesia tension between the Poles and Germans. In the history of the 20th century, the interwar period (or interbellum) lasted from 11 November 1918 to 1 September 1939 (20 years, 9 months, 21 days) – from the end of World War I (WWI) to the beginning of World War II (WWII).

  4. Oct 10, 2010 · Oct. 10, 2010. Boilerplate is safe box office, and we’ve gotten our share lately. So it’s great that the Guggenheim Museum is giving us the opposite in its major fall exhibition, “Chaos and...

  5. Shaping an Identity for Italian Contemporary Art During the Interwar Period: Rino Valdameri’s Collection Caterina Caputo Caterina Caputo Metaphysical Masterpieces 1916–1920: Morandi, Sironi, and Carrà, Issue 4, July 2020

  6. Jun 9, 2021 · The engagement of British visual art and culture with apocalyptic and millenarian themes and subjects during the interwar period (c. 1919–39) was often intimately related to the two world wars that circumscribed and, in many ways, came to overshadow the period.

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