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Joel Elias Shapiro (born September 27, 1941 [1] New York City, New York) is an American sculptor renowned for his dynamic work composed of simple rectangular shapes. The artist is classified as a Minimalist as demonstrated in his works, which were mostly defined through the materials used, without allusions to subjects outside of the works. [2] .
Subverting the distinctions between abstraction and representation, Joel Shapiro reconsiders the modern figurative tradition. Shapiro creates abstract geometric sculpture that elicits a sense of movement and engages viewers’ physical and psychological relationships with space.
Joel Shapiro is an American artist best known for his wooden sculptures of abstracted human forms. View Joel Shapiro’s 807 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices.
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Joel Elias Shapiro (born September 27, 1941 New York City, New York) is an American sculptor renowned for his dynamic work composed of simple rectangular shapes. The artist is classified as a Minimalist as demonstrated in his works, which were mostly defined through the materials used, without allusions to subjects outside of the works.
Since 1970, Joel Shapiro (b. 1941, New York, NY) has created work that activates and reconfigures space with his iconic vocabulary of geometric forms, shifting figural and nonreferential implications, and subtle manipulations of scale. In his recent investigations of the expressive possibility of form and color, the artist suspends elements ...
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Shapiro’s work of the ’70s defined a formal and procedural vocabulary by which he could reanthropomorphize sculpture without pretending that Minimalism had never happened. Many of his sculptures are in some sense characters, and the late-’70s pieces begin to take forms that we cannot but read as figural.
Joel Shapiro - Lococo. Since 1970, Joel Shapiro (b. 1941, New York, NY) has created work that activates and reconfigures space with his iconic vocabulary of geometric forms, shifting figural and nonreferential implications, and subtle manipulations of scale.
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