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  1. Biography. Maud Lewis (1901–1970) has become one of Canada’s most renowned artists, the subject of numerous monographs, novels, plays, documentaries, and even a feature film. She was born into relative comfort and obscurity, and died in poverty, though enjoying national fame.

  2. Significance & Critical Issues. Maud Lewiss significance grew exponentially after her death, and in a way, there are three Maud Lewises: the artist, the icon, and the brand. The artist is celebrated with a permanent display of her work in Halifax and with national and international touring exhibitions.

  3. Feb 21, 2024 · Over the past several years, the work of Canadian folk artist Maud Lewis has been garnering increased attention and praise. An icon of 20th-century Canadian art, interest in Lewis was propelled in 2016 with the release of the biopic Maudie staring Sally Hawkins and Ethan Hawke, which traced her life and practice.

  4. Key Works. Maud Lewis painted from memory and her imagination, but she also used found images that she adapted to her own style. She repeated subjects when she determined that one was particularly popular, often making dozens of versions of the same scene, and over her lifetime she painted hundreds of works, often at a pace of two or three a day.

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  5. Oct 21, 2020 · Maud Lewis: A Canadian heroine who, despite a hard life, painted 'pure joy'. 'She shouldn't have been happy, but in her paintings, my goodness, they are happiness'. CBC Arts · Posted: Oct 21 ...

  6. Dec 13, 2021 · In her lifetime most Maud Lewis paintings sold for as little as two dollars and as much as 10 dollars from the tiny cabin she called home in Marshalltown, Nova Scotia. In her final years and since her death Lewis has become an icon of the so-called folk art movement, internationally renowned for her colourful, playful depictions of rural life.

  7. Jun 1, 2022 · While Lewis was painting references to her daily life, once collected and later institutionalized, her paintings would come to signify a bucolic landscape and the rural poor. Landscape, then, is a created place, subject to the uses, values, and memories we associate with it. Artwork Credit: Maud Lewis, Fisherman on Dock, 1958.

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