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May 27, 2024 · Alex Ross has been the music critic at The New Yorker since 1996. He writes about classical music, covering the field from the Metropolitan Opera to the contemporary avant-garde, and has also ...
- Conductors Had One Job. Now They Have Three or Four
Alex Ross has been the magazine’s music critic since ... The...
- Lisztomania Enters the Twenty-first Century | The New Yorker
By Alex Ross. September 4, 2023 Liszt is at once one of the...
- Requiem for Mostly Mozart | The New Yorker
Alex Ross asks if the end of the beloved festival signals a...
- Guillaume de Machaut’s Medieval Love Songs | The New Yorker
Alex Ross has been the magazine’s music critic since ... The...
- Conductors Had One Job. Now They Have Three or Four
Alex Ross (born January 12, 1968) is an American music critic and author who specializes in classical music. Ross has been a staff member of The New Yorker magazine since 1996. His extensive writings include performance and record reviews, industry updates, cultural commentary, and historical narratives in the realm of classical music. [1]
Apr 2, 2024 · Alex Ross has been the magazine’s music critic since ... The New Yorker may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with ...
Sep 4, 2023 · By Alex Ross. September 4, 2023 Liszt is at once one of the most outwardly recognizable figures in musical history—the flowing shoulder-length hair, the aquiline nose, the eerily long, flexible ...
Aug 21, 2023 · Alex Ross asks if the end of the beloved festival signals a rising disdain for classical music at Lincoln Center.
4 days ago · Alex Ross has been the magazine’s music critic since ... The New Yorker may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with ...
Many of my readers will, I'm sure, be reminded of another great meet-cute in musical history: that of John Cage and Morton Feldman at a New York Philharmonic concert in 1950, at Carnegie Hall. The program, under the direction of Dimitri Mitropoulos, included Webern's Symphony, which both composers were eager to hear. At the end of the concert ...
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