Xavier Samuel
Josh
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Sep 15, 2000 · Bait: Directed by Antoine Fuqua. With Jamie Foxx, David Morse, Robert Pastorelli, Doug Hutchison. An ex-con is used by police to lure a criminal out of hiding.
- (13K)
- Action, Comedy, Crime
- Antoine Fuqua
- 2000-09-15
5 hours ago · So far this year, the city has already had 15 burglaries. That's when one of the officers came up with the idea of a "Bait House," Larsen said. Police selected the first home last week, and are ...
Sep 20, 2012 · Bait: Directed by Kimble Rendall. With Xavier Samuel, Sharni Vinson, Adrian Pang, Yuwu Qi. A freak tsunami traps shoppers at a coastal Australian supermarket inside the building - along with 12-foot Great White Sharks.
- (19K)
- Action, Fantasy, Horror
- Kimble Rendall
- 2012-09-20
Bait is a 2000 American action comedy film starring Jamie Foxx and David Morse. It was directed by Antoine Fuqua. The film was a huge financial failure, costing Warner Bros. $51 million but only grossing approximately $15 million. In the film, a petty thief shares a prison cell with a man who stole millions in gold from the Federal Reserve. The ...
- $51 million
- September 15, 2000
- Sean Ryerson
- Mark Mancina
Sep 15, 2000 · Roger Ebert September 15, 2000. Tweet. Now streaming on: Powered by JustWatch. "Bait" is a deadpan action comedy with a little Hitchcock, a little Bond and a lot of attitude. It's funny and clever, and it grows on you, especially with the tension between Jamie Foxx 's trash-talking thief and David Morse 's monomaniacal federal agent.
Currently you are able to watch "Bait" streaming on Starz Apple TV Channel, Starz Roku Premium Channel, Hoopla, Starz, Screambox Amazon Channel, Starz Amazon Channel or for free with ads on Freevee. It is also possible to rent "Bait" on Google Play Movies, YouTube, Amazon Video, Vudu, Microsoft Store, Apple TV online and to download it on Vudu ...
- 93 min
Aug 30, 2019 · Bait is about a man struggling to cope with the gentrification of his village, though “gentrification” sanitises the destruction of a way of life. It’s shocking, sad and bitingly funny, as well as strikingly beautiful – but it’s also ultimately very modern, casting a vintage net over a contemporary issue that isn’t going away.
