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This script was transcribed by BJ Kuehl. Any corrections should be sent to her at bj@csd.uwm.edu. 1992 BRAM STOKER'S DRACULA (Directed by Francis Ford Coppola) cast Dracula.....Gary Oldman Mina Murray/Elisabeta.....Winona Ryder Abraham Van...
- Dracula! The Turks are
- I beq you,
- Dracula
- INT, CASTLECHAPEL• TIGHT ON ELIZABETH 4
- CHESARE
- CHESARE (raising his
- DRACULA
- DRACULA
- MINA (V.o.
- LUCY
- Lucy, about
- KINA
- LUCY
- 9 .EXT. HILLINGHAM GROUNDS - DAY 9
- only be gone a few weeks.
- nary. can you imagine the power
- Jon.
- •Jonathan
- INT. TUNNEL- PITCH DARK (STOCK FOOTAGE)
- JONATHANHARKER' S JOURNAL
- 13 EXT. TRANSYLVANIA FRONTIER
- TIGHT ON MINA - PHOTOPLATE
- "Mona F lnervously)
- 18 EXT, BORGO ROAD - NIGHT 18
- EXT. BORGOROAD - NIGHT
- 22 THE COACHES - SIDE BY SIDE 22
- 23 INT, CALECHE- TRAVELING - NIGHT
- HARKER
- A DOGHOWLS
- 26 RESUME: COACH
- 27 EXT. CLEA.RING (BATTLEGROUND SC.l) - HIGH ANGLE- NIGHT 27
- 28 IN THE DARKNESS - A RING OF EYES SURROUND THE COACH 28
- 29 EXT. CASTLECOURTYARD - NIGHT - CONTINUING ACTION 29
- INT. CASTLE- THE GREATHALL - NIGHT JO
- You will join
- DRACULA
- 31 INT. LIBRARY- TIGHT ON DRACULA'S WHITE HANO - NIGHT Jl
- Harker
- if
- HARKER
- DRACULA
- A RUSTLE of
- his
- HOWLING
- FACE DOWN.
- 34 RESUMEHARKER:
- 38 EXT. CASTLEDRACULA - THE COURTYARD - RAINY DAY: 38
- "DRAKWYLA"
- 45 EXT. OCEAN- NIGHT
- FIRST MATE
- FJ:RST MATE
- FIRST MATE
- sea.
- 49 EXT. HILLINGHA.M GROUNDS - PANORAMA - DAY 49
- RENFIELD
- "DISEASES OF THE BRAIN," BY A. VAN
- REHFIELD
- HOLMWOOD
- QUINCEY
- IRISHMAN
- 69 EXT. HILLINGHAM CEMETERY - STORMCONTINUING ACTION 69
- MINA'S POV - THE CEMETERY
- WITH MINA
- LIGHTNINGCRACKLES: REVEALING DRACULA IN THE SHADOW OF THE
- REHFIELD
- 76 INT. RENFIELD1S CELL - SEWARD ENTERS
- RENFIELD
- DRACULA
- CHAPERON
- me.
- Mina is
- He bows, fighting
- DRACULA
- NINA
- MINA
- DRACULA
- NINA
- smile.
- as if
- KINA
- The
- weak
- MINA
- 105 INT.
- me.
- MINA (V,O.)
- SEWARD
- POV - STALKING THEM
- way.
- VAN HELSING
- My God--has
- HOLMWOOD
- live.
- LUCY
- MINA
- I BEG YOU.
- MINA
- REHFIELD
- MINA
- RENFIELD
- HARXER
- MINA
- wrong? ...•
- VANHELSING
- MINA
- Jonathan him join
- REHFIELD (O. C.)
- 140 INT. RENFIELD'S CELL - CONTINUING ACTION
- 141 INT. CARFAX CHAPEL - CONTINUING ACTION 141
- DRACULA
- DRACULA
- MINA
- DRACULA
- VANHELSING
- He spasms
- MINA
- DRACULA
- DRACULA
- MINA
- DRACULA
- VAN HELSING
- made
- eyes.
back! They retreat! Mohammed is defeated! PRINCE DRActlIA removes his wolf helmet. Stallion falls about his shoulders. Young, handsome. blue eyes of an angel capture us. He kneels crucifix. black hair Oeee piercing kissing his
STEPAN my Prince••haven•t enough died thia day? · cries echo around them. WOLVESHOWL on the scent.
stares at the in the fresh blood hands. A horrible premonition seizes him-- He leaps PRINCE DRACULA (desperate, dreading) Elizabeth ••• astride a riderl••• black stallion rearing away. EXT, CASTLE DRACULA •
Her regal lifeless body twisted and bent beneath a great stone Dragon arch before a shrine of the crucifixion, Note: reference golden coin ritual par rrc PRINCE DRACULA crumbles prostrate over her, Th• Warrior in him fails, kissing, caressing, willing her baok to life. CHESARE, an elder Monk, tries to comfort him.
She has taken her own life, my son. Her soul cannot be saved. It is God's law ••• out--a dying animal, lashing the crucifixion his sword. He dumps the font of holy water washing Elizabeth's Dracula blood across the floor.
crucifix) your Sacrilege! Do not turn back on Christ. bends Chesare•s wrist in his powerful grip snapping bones--the crucifix falls to the bloody floor.
I Dracula, Voivode of Transylvania turn my back on God! And all you hypocrites who feed off himl If my beloved burns in hell--so shall II--I will arise from my own death to avenge hers with all the powers of darkness! He rakes the water--raising Cradling colll.lllunion goblet through the bloody-holy it high-- Devil I
"The blood is the life," shall be mine. Elizabeth, he drinks the rush And it of fresh life. FADE OUT:
cont'd) I have longed to be with her, where we can talk together freely, and build our castles the air. The life of an assistant schoolmistress is sometimes trying, and I have in been working very hard lately, I shall keep a diary, a sort of journal which I can write in whenever I feel inclined as I lady journalists do, see I do not suppose .there ...
Oh you prude--Is your ambitious Jon Harker forcing you to learn that ridiculous machine? When he could be forcing you to perform unspeakable acts of desperate passion on the parlor floor--
MINA really--you shouldn't my fiance in such talk a way---there•s more to carnal pleasures-- marriage than
Can a man and woman really such •• ,such ••• things? do
keyhole. Lucy langors. LUCY Quincey Morriss. He's so young and fresh. Oh Mina--he's like a wild stallion between my legs-- You're
Peacocks roam, screeching mating cries. JONATHAN HARKER greets Mina at a stone bench overlooking the Thames. 24, wildlr ambitious, upwardly mobile-•a Victorian yuppie·. He wh rls her scattering peacocks. They kiss. MINA Jonathan? I didn't expect you here. Are you drunk in the middle of the day? HARlCEJt (full of himself) And why not? I'll bur you a...
wealthy Count is acquiring estates around London, And money is no object. Extraordi
I'll This ten that sort of wealth co-ands? "Yours truly" is being sent to close the transactions. Royalty, Mina, think of it--at the idea of rubbing shoulders with royalty. him competing for his affections. I'm thinking
HARICER Oh, Mina, this is the opportunity that comes once in life. "Carpe deum." seize the day, Kina. We can be married when I return--a grand expensive one that will be the talk of London. this
.•• ! love you ••• him hurry to his eoaeh. There is
A light at the end. THE ORIENT EXPRESS blasts EXT. ORIENT EXPRESS - AT A COACH WINDOW
HARKER (V.O.) "3, MAY, BUDA-PESTH. Left Buda-Pesth early this morning, train was an hour late. The impression I had was that we were leaving the West and entering the Easti the most splendid of bridges over the Danube, took us among the traditions of Turkish rule.
- DAY . Harker travels in a coach taking Carpathian mountains as he reads in the magnificent
A travel frame. Harker, exhausted, he strokes himself with the peacock alone with erotic thoughts of her. studies feather her she smile as gave him, He looks up, caught. One of the women jabs The women and Merchant a strange two-fingered
ca"--A charm against evil. THUNDER CRACKS! The coach suddenly anxious. stops.
The Slovak Driver answers in Romany as he lights the coach lamps. The passengers are at once fearful, spattering in different languages--The peasant woman makes the strange sign again at Harker.
The Horses SPOOK wildly--backpedaling. to control them. Harker leaps in.
Harker steps out. Before he touches ground, the Dark Driver leans down and LIFTS HIM EASILY INTO THE CALECHE WITH ONE HAND, The Stallions wheel and sweep Harker away into the snowy mist. The Slovak speeds his relieved Passengers in the opposite direction.
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When Dracula leaves the captive Jonathan Harker and Transylvania for London in search of Mina Harker—the spitting image of Dracula's long-dead wife, Elisabeta—obsessed vampire hunter, Dr. Van Helsing sets out to end the madness. Written by. Bram Stoker and James V. Hart Film Horror
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Bram Stoker's Dracula (1992) - full transcript. This version of Dracula is closely based on Bram Stoker's classic novel of the same name. A young lawyer (Jonathan Harker) is assigned to a gloomy village in the mists of eastern Europe. He is captured and imprisoned by the undead vampire Dracula, who travels to London, inspired by a photograph of ...
Nov 12, 2023 · “Count Dracula?” He bowed in a courtly way as he replied:— “I am Dracula; and I bid you welcome, Mr. Harker, to my house. Come in; the night air is chill, and you must need to eat and rest.” As he was speaking, he put the lamp on a bracket on the wall, and stepping out, took my luggage; he had carried it in before I could forestall him.
Apr 16, 1991 · script, screenplay, storyboards. Collection. opensource. Language. English. Bram Stoker's Dracula. Year: 1992. Director: Francis Ford Coppola. Screenplay by: James V. Hart.
Apr 16, 1991 · Year: 1992. Director: Francis Ford Coppola. Written by: Bram Stoker (Novel), James V. Hart (Screenplay) Script Synopsis: When Dracula leaves the captive Jonathan Harker and Transylvania for London in search of Mina Harker—the reincarnation of Dracula's long-dead wife, Elisabeta—obsessed vampire hunter Dr. Van Helsing sets out to end the ...
