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  1. The Hound of the Baskervilles

    1959 · Horror · 1h 27m

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  1. The Hound of the Baskervilles is a 1959 British gothic mystery film directed by Terence Fisher and produced by Hammer Film Productions. It is based on the 1902 novel of the same title by Sir Arthur Conan Doyle. It stars Peter Cushing as Sherlock Holmes, Sir Christopher Lee as Sir Henry Baskerville and André Morell as Doctor Watson. It is the ...

  2. The Hound of the Baskervilles: Directed by Terence Fisher. With Peter Cushing, André Morell, Christopher Lee, Marla Landi. When a nobleman is threatened by a family curse on his newly inherited estate, detective Sherlock Holmes is hired to investigate.

    • (13K)
    • Horror, Mystery
    • Terence Fisher
    • 1959-07-03
  3. Jun 13, 2023 · The Hound of the Baskervilles is one of the perfect exemplars of what makes Hammer great — it is affectionately over-the-top at times while never surrendering its completely entrancing,...

  4. The Hound of the Baskervilles, British mystery-detective film, released in 1959, that was adapted from Sir Arthur Conan Doyle’s classic novel of the same name. It served as Hammer Studios’ attempt to revive the Sherlock Holmes character and to begin a new movie franchise with Peter Cushing as Holmes and Andre Morell as Dr. Watson. It was ...

    • Lee Pfeiffer
  5. There’s a reason you’ve never heard of this Hammer flick with Cushing & Lee Around the turn of the century, Sherlock Holmes (Peter Cushing) and Doctor Watson (André Morell) try to protect the heir of the Baskerville estate (Christopher Lee) in southwest England after the former owner was found dead, rumored to be victim of a curse going ...

  6. The Hound of the Baskervilles is a 1959 British gothic horror mystery film directed by Terence Fisher and produced by Hammer Film Productions. It is based on the novel of the...

    • 2 min
    • 4.4K
    • Grindhouse Movie Trailers
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  8. Sep 23, 2002 · While the movie wasn’t particularly frightening, what Hammer film is? Hammer Films tried to build the reputation of “soap opera-ish horror” and leaned toward the “romanticism” of terror than the actual “fright”. This film epitomizes this more so than any of their other films.

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