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  1. Find a Grave, database and images (https://www.findagrave.com/memorial/2882/mervyn-leroy: accessed ), memorial page for Mervyn LeRoy (15 Oct 1900–13 Sep 1987), Find a Grave Memorial ID 2882, citing Forest Lawn Memorial Park, Glendale, Los Angeles County, California, USA; Maintained by Find a Grave.

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  2. en.wikipedia.org › wiki › Mervyn_LeRoyMervyn LeRoy - Wikipedia

    LeRoy was born on October 15, 1900, in San Francisco, California, the only child of Edna (née Armer) and Harry LeRoy, a well-to-do department store owner. [6] Both his parents' families had fully assimilated, residing in the Bay Area for several generations. LeRoy described his relatives as "San Franciscans first, Americans second, Jews third."

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  4. Sep 14, 1987 · Mervyn LeRoy, the versatile movie director of such explosive dramas as ''Little Caesar'' and ''I Am a Fugitive From a Chain Gang'' and such lush romances as ''Waterloo Bridge'' and ''Random...

  5. Sep 14, 1987 · Oscar-winning producer-director Mervyn LeRoy, the one-time San Francisco newsboy who set the tone of Hollywood movie making for 40 years with such films as “Little Caesar,” “The Wizard of Oz,”...

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    • Early work
    • At Warner Brothers in the 1930s: Little Caesar, I Am a Fugitive from a Chain Gang, and Gold Diggers of 1933

    Mervyn LeRoy (born October 15, 1900, San Francisco, California, U.S.—died September 13, 1987, Beverly Hills, California) American motion-picture director whose wide variety of films included dramas, romances, epics, comedies, and musicals. He also produced films, including the classic The Wizard of Oz (1939).

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    After the LeRoy family home was destroyed in the San Francisco earthquake of 1906, LeRoy earned his first money by selling newspapers; that became his entreé to show business when one of his customers helped him get a part onstage as a newsboy. He performed in vaudeville as “the Singing Newsboy.” His cousin Jesse Lasky helped him get a job folding costumes at Famous Players–Lasky in 1919, and from there he ascended from lab technician to assistant cameraman. LeRoy managed a parallel career as an actor, often playing juveniles in films from 1922 to 1924.

    After he outgrew those parts, LeRoy moved behind the scenes, writing gags (and sometimes more) for such Colleen Moore pictures as Sally (1925), Ella Cinders (1926), and Twinkletoes (1926). In 1927 Warner Brothers signed him to direct, and he commenced this most-important phase of his career with such low-budget efforts as Harold Teen (1928) and Oh Kay! (1928). Hot Stuff (1929), a comedy with Alice White, was his first sound picture, and White also starred in Broadway Babies (1929) and Show Girl in Hollywood (1930), an inside-Hollywood yarn with portions shot in Technicolor.

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    Also in 1930 came Numbered Men, a prison drama, and Top Speed, a Joe E. Brown musical comedy. Then came Little Caesar (1931), the film that made LeRoy’s reputation, with Edward G. Robinson as a Capone-like crime czar. It stands as one of the seminal gangster pictures, along with William Wellman’s The Public Enemy (1931) and Howard Hawks’s Scarface (1932).

    Gentleman’s Fate, Too Young to Marry, and Broadminded, the latter another comedy with Brown, all followed in 1931, though none had the impact of Little Caesar. However, Five Star Final (1931) again had the benefit of Robinson, this time playing a hard-boiled newspaper editor whose ethics are twisted out of shape in his pursuit of higher circulation. Local Boy Makes Good, yet another vehicle for Brown, and Tonight or Never completed LeRoy’s slate for 1931—seven releases, an impressive figure even by the standards of the time. High Pressure (1932) offered William Powell in top comic form as a promoter trying to find investors for an artificial rubber process, and Two Seconds (1932) had Robinson playing a convicted murderer who has just moments to relive his miserable existence before the electric chair ends it all.

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    Big City Blues (1932), a modest crime yarn, starred Eric Linden and Joan Blondell, and the melodrama Three on a Match (1932) starred Blondell, Bette Davis, and Ann Dvorak as childhood friends who reunite as adults just in time for one of them to meet a tragic fate. One of LeRoy’s most notable films was I Am a Fugitive from a Chain Gang (1932), a blistering adaptation of Robert E. Burns’s account of his horrible experiences in a Georgia prison camp. The film and Paul Muni’s harrowing portrayal of the unjustly imprisoned convict were nominated for Academy Awards. Hard to Handle (1933) did not have any such social consciousness but remains a fine example of Warner Brothers’s pre-Production Code comedies, with James Cagney as a press agent who will promote anything and everything.

    Elmer, the Great (1933) had Brown as a very un-Ruthian home-run slugger, but it was the musical Gold Diggers of 1933 that became a classic. A follow-up to 42nd Street (1933), it had essentially the same cast and dance director Busby Berkeley, who staged such memorable production numbers as “We’re in the Money,” “Remember My Forgotten Man,” and “Pettin’ in the Park.” Tugboat Annie (1933), starring Wallace Beery and Marie Dressler, was another smash. LeRoy’s fifth release of 1933 was The World Changes, a soap opera starring Muni as a meatpacking tycoon and Mary Astor as his snobbish wife.

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  6. Mervyn LeRoy (Mervyn LeRoy) Mervyn LeRoy. Mervyn LeRoy worked in costumes, processing labs and as a camera assistant until he became a gag writer and actor in silent films, including The Ten Commandments in 1923. LeRoy credits Ten Commandments director, Cecil B. DeMille, for inspiring him to become a director: “As the top director of the era ...

  7. Dec 23, 2021 · He passed away in Beverly Hills, Los Angeles, California, United States, 13 Sep 1987. Mervyn LeRoy (15 Oct 1900–13 Sep 1987), Forest Lawn Memorial Park, Glendale, Los Angeles County, California, USA. [1] Sources. ↑ 1.0 1.1 Find A Grave: Memorial #2882. Wikipedia: Mervyn_LeRoy.

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