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Canyon. 1959. On view. MoMA, Floor 4, 408 The David Geffen Wing. Rauschenberg collected objects from New York City streets. He would take “whatever the day would lay out.”. For this work, he combined painting, collage, and a stuffed eagle that his friend, the artist Sari Dienes, found in the trash.
Canyon is a 1959 artwork by American artist Robert Rauschenberg. The piece is one of his most celebrated and best known works, and is one of his Combines. Rauschenberg coined the phrase Combine in 1954 to describe his artworks that incorporate elements of both sculpture and painting.
- Oil, pencil, paper, metal, photograph, fabric, wood, canvas, buttons, mirror, taxidermied eagle, cardboard, pillow, paint tube and other materials.
- Robert Rauschenberg
- 1959
Dec 6, 2023 · Learn about Canyon, a hybrid artwork by Robert Rauschenberg that challenges the boundaries of painting and sculpture. Explore how it references the myth of Zeus and Ganymede, the culture of New York City, and the art movements of the postwar period.
Although some art historians have sought to “read” Canyon as one would a traditional representional artwork, Rauschenberg’s work seems to resist fixed decoding in favor of a more open-ended play of meaning.
Nov 25, 2020 · Date: 1959. Style: Neo-Dada. Genre: installation. Media: mixed media. Location: Museum of Modern Art (MoMA), New York City, NY, US. Share: Article. Among Rauschenberg's most iconic and controversial combines, Canyon features amongst its mixed media; pieces of wood, a pillow, a mirror, and a stuffed bald eagle.
Jan 24, 2014 · Rauschenberg: Canyon, the latest volume in the MoMA One on One series, sheds light on the genesis of this startling and enigmatic work by tracing the artist’s education, influences, and travels through Italy, Morocco, and Spain. Rauschenberg first started using found materials while attending Black Mountain College near Asheville, North ...
Oct 17, 2016 · October 17, 2016. Robert Rauschenberg, Canyon, 1959. Sharon Lorenzo’s first profile of one work of art at a major museum. For the next twelve months, I will be providing a profile of one work of art from 12 different museums hoping that the audience for A Sharp Eye will venture forth and have a longer look at some of these fascinating treasures.
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