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2. www.wikiart.org › en › saul-steinbergSaul Steinberg - 49 artworks - drawing - WikiArt.org

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   Learn about Saul Steinberg, a Romanian and American cartoonist and illustrator, best known for his work for The New Yorker. Explore his diverse and imaginative drawings in various media and contexts, from caricature to mural.

   • Birth Date: June 15, 1914

   • Death Date: May 12, 1999

3. saulsteinbergfoundation.org › search-artworkSearch Steinberg's Artwork - Saul Steinberg Foundation

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   Explore the artwork of Saul Steinberg, a prolific and influential cartoonist, illustrator, and painter. Filter by subject, medium, publication, and date to find drawings, paintings, and collages from his long career.

4. en.wikipedia.org › wiki › Saul_SteinbergSaul Steinberg - Wikipedia

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   Saul Steinberg (June 15, 1914 – May 12, 1999) was an American artist, best known for his work for The New Yorker, most notably View of the World from 9th Avenue. He described himself as "a writer who draws".

5. People also ask

   How did Saul Steinberg Define drawing?

   • Saul Steinberg defined drawing as "a way of reasoning on paper," and he remained committed to the act of drawing. Throughout his long career, he used drawing to think about the semantics of art, reconfiguring stylistic signs into a new language suited to the fabricated temper of modern life.

   Home - Saul Steinberg Foundation

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   How many drawings were in Saul Steinberg's the American sketchbook?

   • Fourteen drawings were published in The American Sketchbook, Saul Steinberg's stunning color calendar for 1968. Steinberg started publishing calendars with Hallmark in 1960. Prior to this, he had created greeting cards for the company. The calendars were published through 1969. Today, Steinberg's calendars seem to be fairly hard to come by.

   Attempted Bloggery: Saul Steinberg: The American Sketchbook

   attemptedbloggery.blogspot.com/2015/02/saul-steinberg-american-sketchbook.html

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   Where are some Steinberg drawings?

   • The whereabouts of some Steinberg drawings are presently unknown; they are recorded only in reproduction. For these works, publication details are provided. “Busti,” Bertoldo, April 27, 1937. “No, dear sir. It’s the other half you were supposed to make.” “Arte pura,” Bertoldo, August 27, 1937.

   Search Steinberg's Artwork - Saul Steinberg Foundation

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   What is Steinberg's drawing style?

   • Steinberg’s drawing style is characterized by a playful, childlike-doodle quality while also maintaining an elegant deftness that succinctly described a wide range of subjects. His quirky, sharply observed sketches, at times reminiscent of Dada art, also crossed over into the fine arts world.

   Saul Steinberg | Artnet

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6. americanart.si.edu › artist › saul-steinberg-4620Saul Steinberg | Smithsonian American Art Museum

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   Learn about the life and work of Saul Steinberg, a Romanian-born American cartoonist and artist who created witty and insightful drawings of modern life. Explore his biography, works, exhibitions, and activities related to his art.

   • Birth Date: June 15, 1914

   • Death Date: May 12, 1999

7. www.artnet.com › artists › saul-steinbergSaul Steinberg | Artnet

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   Saul Steinberg was a Romanian cartoonist and illustrator who created over 1,200 drawings for The New Yorker magazine. Explore his playful, childlike-doodle style and his contributions to the fine arts world on artnet.

   • Nationality: American

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8. Videos

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     Exhibition Insights | Saul Steinberg: A Writer Who Draws

     Jan 22, 2022

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     Saul Steinberg drawing

     Aug 16, 2013

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     Saul Steinberg - The Line

     Sep 22, 2014

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9. www.illustrationhistory.org › artists › saul-steinbergSaul Steinberg - Illustration History

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   Although best known for his incisive wit and brilliant New Yorker drawings created over six decades, he moved across disciplines with assurance and ease, creating art for all manner of things, from wallpapers and fabrics to public murals, stage sets, and advertisements.

10. saulsteinbergfoundation.orgHome - Saul Steinberg Foundation

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    Saul Steinberg defined drawing as "a way of reasoning on paper," and he remained committed to the act of drawing. Throughout his long career, he used drawing to think about the semantics of art, reconfiguring stylistic signs into a new language suited to the fabricated temper of modern life.