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Saving Face is a 2004 American romantic comedy-drama film directed by Alice Wu, in her feature-length debut. The film focuses on Wilhelmina, a young Chinese American surgeon ; her unwed, pregnant mother; and her dancer girlfriend.
Jun 24, 2005 · Saving Face: Directed by Alice Wu. With Michelle Krusiec, Joan Chen, Lynn Chen, Jin Wang. A gay Chinese-American and her traditionalist mother are reluctant to go public with secret loves that clash against cultural expectations.
Apr 14, 2024 · The meaning of SAVE FACE is to avoid having other people lose respect for oneself. How to use save face in a sentence.
Saving Face is a 2004 American romantic comedy-drama film directed by Alice Wu, in her feature-length debut. The film focuses on Wilhelmina, a young Chinese-American surgeon; her unwed, pregnant mother; and her dancer girlfriend.
Nov 29, 2010 · Saving Face signifies a desire—or defines a strategy—to avoid humiliation or embarrassment, to maintain dignity or preserve reputation. Eleanor Roosevelt's familiar quote: "No one can make you...
Jun 20, 2023 · Uncover the complex world of the "saving face" meaning in Chinese culture. From gaining and losing face, to importance in relationships and social dynamics.
May 27, 2005 · Wil (Michelle Krusiec) is a lesbian, but she not dare tell her widowed mother, Hwei-lan (Joan Chen), or her very traditional grandparents. She's shocked, however, to find out she's not the only ...
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- Comedy, Drama, Romance, LGBTQ+
- R
Mar 10, 2014 · In the field of psychology, as in life, there are several ways of saving face. Face is the common notion of pride or social status, the technical notion (from Goffman) of being fully...
“Saving face” isn’t merely a historical relic; it’s a dynamic force sculpting the contours of contemporary Chinese social and business interactions. It’s a critical element in personal and professional spheres, shaping engagements and decisions.
Sep 17, 2017 · Why face is important, how face is gained, what a line is, and how face is saved is explained in greater detail in this chapter. Facework processes and the concept of an interaction ritual as well as Goffman’s principles of face are also elucidated upon.
