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In a gritty and alternate 1985 the glory days of costumed vigilantes have been brought to a close by a government crackdown, but after one of the masked veterans is brutally murdered, an investigation into the killer is initiated. The reunited heroes set out to prevent their own destruction, but in doing so uncover a sinister plot that puts all ...
- Interstellar
Written by Christopher Nolan, Jonathan Nolan, and Kip...
- Tenet
Read the Script. Tenet 2020 · Film. Armed with only one word...
- Inception
Written by Christopher Nolan.Cobb, a skilled thief who...
- Interstellar
You may be offline or with limited connectivity. ... ...
- MCLAUGHLIN
- ELEANOR CLIFT
- ELEANOR CLIFT
- CONTINUED: ( 2 )
- BLAKE
- STREET - DAY
- EXT. STREET - EVENING
- SHOPKEEPER
- EDWARD BLAKE'S APARTMENT - LIVING ROOM - EVENING
- DET. GALLAGHER
- (CONT'D)
- DET. FINE
- DET. GALLAGHER
- STREET - LATE NIGHT
- NIGHT
- BLAKE'S APARTMENT - BEDROOM CLOSET - LATE NIGHT
- DAN'S HOUSE - HALLWAY - LATE NIGHT/EARLY MORNING
- DAN'S OWL-CHAMBER - NIGHT
- RORSCHACH
- CONTINUED:
- ASSISTANT
- DAN
- ASSISTANT
- CONTINUED:
- ADRIAN
- ADRIAN VEIDT'S OFFICE - LATER
- ADRIAN
- ASSISTANT
- ADRIAN
- ASSISTANT
- ADRIAN
- MILITARY TESTING FACILITY - EVENING
- NUCLEAR WASTE TRUCK - EVENING
- - EVENING
- - CONTINUOUS
- REFLECTION of a HU?E MAN, GLOWING BRIGHT BLUE--
- LAURIE
- CONTINUED:
- DR. MANHATTAN
- VIETNAMESE GIRL
- CONTINUED:
- ADRIAN ( V. 0. )
- ADRIAN
- RORSCHACH
- WOMAN IN CROWD
- CLOSE ON:
- PRIEST (V .0.)
- ADRIAN
- MOLOCH'S BROWNSTONE - NIGHT
- MOLOCH (V .0.)
- BLAKE
- MOLOCH ( V . 0 • )
- RORSCHACH
- ULTRA-SLOW,
- Mr.
- CONTINUED:
- LAURIE
Dr. Manhattan-- CUT TO: Stock footage of DR. _MANHATTAN--a man, at least he appears to be, who has glowing blue skin. The stock footage shows Dr. Manhattan flying through the air as an ENORMOUS WARHEAD heads straight for him. With a wave of his hand, Dr. Manhattan stops the warhead in its flight--frozen in mid-air-inches from his face. MCLAUGHLIN (...
Well, it hasn't stopped the Soviet Union from stockpiling record amounts of nuclear weapons. With another wave, Dr. Manhattan DETONATES the warhead in an explosion of .•• LEAVES? Colors as brilliant as the northeastern autumn •••
Some in other parts of the world might think we're posturing, parading this real life superhero around. Maybe the reason why the Soviets are doing these bomb tests is because they feel threatened by Dr. Manhattan, cornered. Maybe the whole world feels like that. 3.
Blake snorts as he sits on the couch, changes the channel- CRASH!--The FRONT DOOR EXPLODES, splintered by a KICK; jumps up, immediately at the ready-- Blake --when we see the INTRUDER'S FEET entering. Slowly. Blake sees the Intruder's face, though we never do--we only see that he's dressed in ALL BLACK, including GLOVES and a KNIT HAT. A look of re...
Just a matter of time, I suppose. Blake ever so subtly eyes the arm of his couch where a .45 is tucked, hidden • •. With sudden, blinding speed, Blake WHIPS the SAUCER from under his cup, sending it FLYING like a saw blade. The Intruder BATS IT out of the air with even quicker reflexes, but the act buys Blake time to get to the .45. He's a pro .. ....
CLOSE ON: Blake's dead body. His eyes are wide open, not in fear, but in resignation. As BLOOD starts to POOL behind his head, we move to the happy face pin Blake wore, now on the sidewalk by his neck. We slowly ZOOM IN on the pin as blood DRIPS on it ••.
CLOSE ON: .The happy face pin •••when the pin is WASHED AWAY. A SHOPKEEPER has his HOSE out, spraying off the blood from the sidewalk. Blake's body is gone, a CHALK OUTLINE in its place. A COP comes running up to the Shopkeeper. Hey! ) • .. / COP 1 This is still a goddamn crime scene!
It's been over four hours, business to run-- I got a As they argue, we're back following the happy face pin, as the water carries it to a DRAIN where the pin gets caught INT.
DET. GALLAGHER (older, jaded) and DET. FINE (street worn, but not quite cynical yet) walk through the crime scene. Fine studies the broken window.
Or made to look like one. (tosses Fine an ID) Found that in the bedroom. Det. Fine studies it. It's Blake's UNITED NATIONS reads "Special Advisor, United States."
He picks up a PHOTO from the floor, hands it to Fine.
You're saying this guy was a spook? You think this might be a political murder?
I think ••.that this is way bigger than the.both of us. He leaves Det. Fine to ponder this. EXT.
Outside Blake's apartment building. It's later now, businesses closed, people gone. We MOVE DOWN to the drain where the happy face pin is still stuck. We move into someone's POV. The person picks up the pin in his hand. Then he stares up at the broken window of Blake's apartment, now covered with PLASTIC SHEETING.
With a grunt, Rorschach pulls himself past the plastic sheeting, through the window, and into Blake's apartment. He investigates, silent. INT.
Blake's clothing hangs in military rows. Rorschach runs his fingers along the wall-seams. He pauses, presses on the hanger BAR, which SLIDES BACK to reveal a RED BUTTON. Pressing it, the BACK WALL of the closet SLIDES OPEN, revealing a SECRET COMPARTMENT. On the wall is an old FRAMED PHOTO of EIGHT PEOPLE IN COSTUMES, from 1960. Included in this ph...
Rorschach follows Dan to a CLOSET, at the end of the hall. Dan opens the closet, revealing an old BOOKSHELF. With some difficulty, Dan PULLS OPEN the HINGED BOOKSHELF with a RUSTY CREAK. STEEL STAIRS lead down into the dark. INT.
The two men descend into Dan's WORKSHOP--the dusty remnants of a hero's LAB; Old computers and an OWL-COSTUME, hanging in a locker. No one has been down here for years. In the center of the space, an OVAL VEHICLE the size of a subway car is covered by a dusty TARP--the OWl-Ship. DAN How did it happen? Murder.
Someone threw him out a window. DAN Maybe it was a burglary. The killer might not have known who Blake was. RORSCHACH An ordinary burglar? Kill the Comedian? Ridiculous. DAN You're right. I heard he was working for the government. Maybe it was a political killing. RORSCHACH Maybe. Or maybe someone's decided to kill off costumed heroes. DAN You don'...
RORSCHACH Even if we theorize the Comedian was killed for political purposes, that doesn't mean we're exempt. Our own government attacked us through the Keene Act. One of our own has been murdered. thought you might be interested. An I attack on one is an attack on all of us, right? Dan hesitates. DAN I'm out, Rorschach. I've been out, we've all be...
What can I help you with, sir? Urn, DAN I'm here to see Adrian Veidt. ASSISTANT Do you have an appointment? DAN No, uh, just tell him Dan Dreiberg is here to see him. ASSISTANT I'm sorry, Mr. Veidt doesn't see anyone without an appointment.
I understand, but if you would just tell Adrian that Dan Dreiberg is here, I'm an old friend.
Well, Mr. Veidt is very busy at the moment--DAN Just tell him I'm here. I he'll see me. assure you Dan glares at her. She glares right back. A game of chicken. She reluctantly gets up, goes inside the office. Once she's gone, Dan's glare disappears, replaced by nervousness. Because he's not sure if Adrian will see him-it's been a long time. He glan...
--ADRIAN VEIDT, late 30s, movie star looks, at the far end of the office, being photographed by ANNIE LEIBOWITZ (with entourage) as journalist DOUG ROTH holds a tape recorder to him. Adrian sees Dan approaching, smiles wide. He holds up a finger, telling Dan to hold on a sec. Dan nods, sits on the couch. Picks up a Forbes magazine with Adrian on th...
Predicting stock prices isn't the same as predicting world events. I hope there isn't a war with the Soviets, or even a skirmish for that matter. Because Veidt Enterprises has some exciting plans, plans that will, pardon the cliche, truly make this world a better place. My team of engineers and scientists have been working with Dr. Manhattan himsel...
Dan and Adrian sit, talking over coffee. Dan examines an ACTION-FIGURE of. OZYMANDIAS--the packaging explains that this was Adrian's superhero alias.
I'm done with that place. An Agent goes for her arm--she ELBOWS him in the ribs, then the head. The other Agents go for their guns-- AGENT FORBES No, no, I don't want that! Ms. Jupiter, please! Dr. Manhattan's left us. LAURIE Left us? ~- . __ · ~" . ~··· . · .. __ 51. INT. ROCKEFELLER MILITARY BASE - CONF. ROOM - NIGHT Agent Forbes paces impatientl...
I'm done with that place. An Agent goes for her arm--she ELBOWS him in the ribs, then the head. The other Agents go for their guns-- AGENT FORBES No, no, I don't want that! Ms. Jupiter, please! Dr. Manhattan's left us. LAURIE Left us? ~- . __ · ~" . ~··· . · .. __ 51. INT. ROCKEFELLER MILITARY BASE - CONF. ROOM - NIGHT Agent Forbes paces impatientl...
I'm done with that place. An Agent goes for her arm--she ELBOWS him in the ribs, then the head. The other Agents go for their guns-- AGENT FORBES No, no, I don't want that! Ms. Jupiter, please! Dr. Manhattan's left us. LAURIE Left us? ~- . __ · ~" . ~··· . · .. __ 51. INT. ROCKEFELLER MILITARY BASE - CONF. ROOM - NIGHT Agent Forbes paces impatientl...
I'm done with that place. An Agent goes for her arm--she ELBOWS him in the ribs, then the head. The other Agents go for their guns-- AGENT FORBES No, no, I don't want that! Ms. Jupiter, please! Dr. Manhattan's left us. LAURIE Left us? ~- . __ · ~" . ~··· . · .. __ 51. INT. ROCKEFELLER MILITARY BASE - CONF. ROOM - NIGHT Agent Forbes paces impatientl...
I'm done with that place. An Agent goes for her arm--she ELBOWS him in the ribs, then the head. The other Agents go for their guns-- AGENT FORBES No, no, I don't want that! Ms. Jupiter, please! Dr. Manhattan's left us. LAURIE Left us? ~- . __ · ~" . ~··· . · .. __ 51. INT. ROCKEFELLER MILITARY BASE - CONF. ROOM - NIGHT Agent Forbes paces impatientl...
I'm done with that place. An Agent goes for her arm--she ELBOWS him in the ribs, then the head. The other Agents go for their guns-- AGENT FORBES No, no, I don't want that! Ms. Jupiter, please! Dr. Manhattan's left us. LAURIE Left us? ~- . __ · ~" . ~··· . · .. __ 51. INT. ROCKEFELLER MILITARY BASE - CONF. ROOM - NIGHT Agent Forbes paces impatientl...
I'm done with that place. An Agent goes for her arm--she ELBOWS him in the ribs, then the head. The other Agents go for their guns-- AGENT FORBES No, no, I don't want that! Ms. Jupiter, please! Dr. Manhattan's left us. LAURIE Left us? ~- . __ · ~" . ~··· . · .. __ 51. INT. ROCKEFELLER MILITARY BASE - CONF. ROOM - NIGHT Agent Forbes paces impatientl...
I'm done with that place. An Agent goes for her arm--she ELBOWS him in the ribs, then the head. The other Agents go for their guns-- AGENT FORBES No, no, I don't want that! Ms. Jupiter, please! Dr. Manhattan's left us. LAURIE Left us? ~- . __ · ~" . ~··· . · .. __ 51. INT. ROCKEFELLER MILITARY BASE - CONF. ROOM - NIGHT Agent Forbes paces impatientl...
I'm done with that place. An Agent goes for her arm--she ELBOWS him in the ribs, then the head. The other Agents go for their guns-- AGENT FORBES No, no, I don't want that! Ms. Jupiter, please! Dr. Manhattan's left us. LAURIE Left us? ~- . __ · ~" . ~··· . · .. __ 51. INT. ROCKEFELLER MILITARY BASE - CONF. ROOM - NIGHT Agent Forbes paces impatientl...
I'm done with that place. An Agent goes for her arm--she ELBOWS him in the ribs, then the head. The other Agents go for their guns-- AGENT FORBES No, no, I don't want that! Ms. Jupiter, please! Dr. Manhattan's left us. LAURIE Left us? ~- . __ · ~" . ~··· . · .. __ 51. INT. ROCKEFELLER MILITARY BASE - CONF. ROOM - NIGHT Agent Forbes paces impatientl...
I'm done with that place. An Agent goes for her arm--she ELBOWS him in the ribs, then the head. The other Agents go for their guns-- AGENT FORBES No, no, I don't want that! Ms. Jupiter, please! Dr. Manhattan's left us. LAURIE Left us? ~- . __ · ~" . ~··· . · .. __ 51. INT. ROCKEFELLER MILITARY BASE - CONF. ROOM - NIGHT Agent Forbes paces impatientl...
I'm done with that place. An Agent goes for her arm--she ELBOWS him in the ribs, then the head. The other Agents go for their guns-- AGENT FORBES No, no, I don't want that! Ms. Jupiter, please! Dr. Manhattan's left us. LAURIE Left us? ~- . __ · ~" . ~··· . · .. __ 51. INT. ROCKEFELLER MILITARY BASE - CONF. ROOM - NIGHT Agent Forbes paces impatientl...
I'm done with that place. An Agent goes for her arm--she ELBOWS him in the ribs, then the head. The other Agents go for their guns-- AGENT FORBES No, no, I don't want that! Ms. Jupiter, please! Dr. Manhattan's left us. LAURIE Left us? ~- . __ · ~" . ~··· . · .. __ 51. INT. ROCKEFELLER MILITARY BASE - CONF. ROOM - NIGHT Agent Forbes paces impatientl...
I'm done with that place. An Agent goes for her arm--she ELBOWS him in the ribs, then the head. The other Agents go for their guns-- AGENT FORBES No, no, I don't want that! Ms. Jupiter, please! Dr. Manhattan's left us. LAURIE Left us? ~- . __ · ~" . ~··· . · .. __ 51. INT. ROCKEFELLER MILITARY BASE - CONF. ROOM - NIGHT Agent Forbes paces impatientl...
I'm done with that place. An Agent goes for her arm--she ELBOWS him in the ribs, then the head. The other Agents go for their guns-- AGENT FORBES No, no, I don't want that! Ms. Jupiter, please! Dr. Manhattan's left us. LAURIE Left us? ~- . __ · ~" . ~··· . · .. __ 51. INT. ROCKEFELLER MILITARY BASE - CONF. ROOM - NIGHT Agent Forbes paces impatientl...
I'm done with that place. An Agent goes for her arm--she ELBOWS him in the ribs, then the head. The other Agents go for their guns-- AGENT FORBES No, no, I don't want that! Ms. Jupiter, please! Dr. Manhattan's left us. LAURIE Left us? ~- . __ · ~" . ~··· . · .. __ 51. INT. ROCKEFELLER MILITARY BASE - CONF. ROOM - NIGHT Agent Forbes paces impatientl...
I'm done with that place. An Agent goes for her arm--she ELBOWS him in the ribs, then the head. The other Agents go for their guns-- AGENT FORBES No, no, I don't want that! Ms. Jupiter, please! Dr. Manhattan's left us. LAURIE Left us? ~- . __ · ~" . ~··· . · .. __ 51. INT. ROCKEFELLER MILITARY BASE - CONF. ROOM - NIGHT Agent Forbes paces impatientl...
I'm done with that place. An Agent goes for her arm--she ELBOWS him in the ribs, then the head. The other Agents go for their guns-- AGENT FORBES No, no, I don't want that! Ms. Jupiter, please! Dr. Manhattan's left us. LAURIE Left us? ~- . __ · ~" . ~··· . · .. __ 51. INT. ROCKEFELLER MILITARY BASE - CONF. ROOM - NIGHT Agent Forbes paces impatientl...
I'm done with that place. An Agent goes for her arm--she ELBOWS him in the ribs, then the head. The other Agents go for their guns-- AGENT FORBES No, no, I don't want that! Ms. Jupiter, please! Dr. Manhattan's left us. LAURIE Left us? ~- . __ · ~" . ~··· . · .. __ 51. INT. ROCKEFELLER MILITARY BASE - CONF. ROOM - NIGHT Agent Forbes paces impatientl...
I'm done with that place. An Agent goes for her arm--she ELBOWS him in the ribs, then the head. The other Agents go for their guns-- AGENT FORBES No, no, I don't want that! Ms. Jupiter, please! Dr. Manhattan's left us. LAURIE Left us? ~- . __ · ~" . ~··· . · .. __ 51. INT. ROCKEFELLER MILITARY BASE - CONF. ROOM - NIGHT Agent Forbes paces impatientl...
I'm done with that place. An Agent goes for her arm--she ELBOWS him in the ribs, then the head. The other Agents go for their guns-- AGENT FORBES No, no, I don't want that! Ms. Jupiter, please! Dr. Manhattan's left us. LAURIE Left us? ~- . __ · ~" . ~··· . · .. __ 51. INT. ROCKEFELLER MILITARY BASE - CONF. ROOM - NIGHT Agent Forbes paces impatientl...
I'm done with that place. An Agent goes for her arm--she ELBOWS him in the ribs, then the head. The other Agents go for their guns-- AGENT FORBES No, no, I don't want that! Ms. Jupiter, please! Dr. Manhattan's left us. LAURIE Left us? ~- . __ · ~" . ~··· . · .. __ 51. INT. ROCKEFELLER MILITARY BASE - CONF. ROOM - NIGHT Agent Forbes paces impatientl...
I'm done with that place. An Agent goes for her arm--she ELBOWS him in the ribs, then the head. The other Agents go for their guns-- AGENT FORBES No, no, I don't want that! Ms. Jupiter, please! Dr. Manhattan's left us. LAURIE Left us? ~- . __ · ~" . ~··· . · .. __ 51. INT. ROCKEFELLER MILITARY BASE - CONF. ROOM - NIGHT Agent Forbes paces impatientl...
I'm done with that place. An Agent goes for her arm--she ELBOWS him in the ribs, then the head. The other Agents go for their guns-- AGENT FORBES No, no, I don't want that! Ms. Jupiter, please! Dr. Manhattan's left us. LAURIE Left us? ~- . __ · ~" . ~··· . · .. __ 51. INT. ROCKEFELLER MILITARY BASE - CONF. ROOM - NIGHT Agent Forbes paces impatientl...
I'm done with that place. An Agent goes for her arm--she ELBOWS him in the ribs, then the head. The other Agents go for their guns-- AGENT FORBES No, no, I don't want that! Ms. Jupiter, please! Dr. Manhattan's left us. LAURIE Left us? ~- . __ · ~" . ~··· . · .. __ 51. INT. ROCKEFELLER MILITARY BASE - CONF. ROOM - NIGHT Agent Forbes paces impatientl...
I'm done with that place. An Agent goes for her arm--she ELBOWS him in the ribs, then the head. The other Agents go for their guns-- AGENT FORBES No, no, I don't want that! Ms. Jupiter, please! Dr. Manhattan's left us. LAURIE Left us? ~- . __ · ~" . ~··· . · .. __ 51. INT. ROCKEFELLER MILITARY BASE - CONF. ROOM - NIGHT Agent Forbes paces impatientl...
I'm done with that place. An Agent goes for her arm--she ELBOWS him in the ribs, then the head. The other Agents go for their guns-- AGENT FORBES No, no, I don't want that! Ms. Jupiter, please! Dr. Manhattan's left us. LAURIE Left us? ~- . __ · ~" . ~··· . · .. __ 51. INT. ROCKEFELLER MILITARY BASE - CONF. ROOM - NIGHT Agent Forbes paces impatientl...
I'm done with that place. An Agent goes for her arm--she ELBOWS him in the ribs, then the head. The other Agents go for their guns-- AGENT FORBES No, no, I don't want that! Ms. Jupiter, please! Dr. Manhattan's left us. LAURIE Left us? ~- . __ · ~" . ~··· . · .. __ 51. INT. ROCKEFELLER MILITARY BASE - CONF. ROOM - NIGHT Agent Forbes paces impatientl...
I'm done with that place. An Agent goes for her arm--she ELBOWS him in the ribs, then the head. The other Agents go for their guns-- AGENT FORBES No, no, I don't want that! Ms. Jupiter, please! Dr. Manhattan's left us. LAURIE Left us? ~- . __ · ~" . ~··· . · .. __ 51. INT. ROCKEFELLER MILITARY BASE - CONF. ROOM - NIGHT Agent Forbes paces impatientl...
I'm done with that place. An Agent goes for her arm--she ELBOWS him in the ribs, then the head. The other Agents go for their guns-- AGENT FORBES No, no, I don't want that! Ms. Jupiter, please! Dr. Manhattan's left us. LAURIE Left us? ~- . __ · ~" . ~··· . · .. __ 51. INT. ROCKEFELLER MILITARY BASE - CONF. ROOM - NIGHT Agent Forbes paces impatientl...
I'm done with that place. An Agent goes for her arm--she ELBOWS him in the ribs, then the head. The other Agents go for their guns-- AGENT FORBES No, no, I don't want that! Ms. Jupiter, please! Dr. Manhattan's left us. LAURIE Left us? ~- . __ · ~" . ~··· . · .. __ 51. INT. ROCKEFELLER MILITARY BASE - CONF. ROOM - NIGHT Agent Forbes paces impatientl...
Finally, the Watchmen script is here for all you fans of the superhero movie starring Matthew Goode, Billy Crudup, yadda yadda. This puppy is a transcript that was painstakingly transcribed using the screenplay and/or viewings of the movie to get the dialogue.
Jun 24, 2016 · This comic truly is a work of art that just cannot be explained easily. The art style, the character designs (and the characters themselves), the fact that it started the idea of dark gritty re-imaginings of superheroes, it is just so good. Complete DC Comics Watchmen Issues 1-12.
A BLACK YOUTH sits on the curb before it, ensconced in a comic book. An ugly STREET PREACHER paces before the news stand, carries a picket board which reads, “THE END IS NIGH.”. The NEWS VENDOR stocks and sorts papers and magazines on the rack.
Watchmen Comic Script (excerpt) December 20210. Pdf Watchmen. May 20230. Watchmen (ita) December 201994. Mfg254 Watchmen Sourcebook[ocr].pdf. July 20230. Watchmen Essay.
