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  1. Johnny Williams (father) Signature. John Towner Williams (born February 8, 1932) [1] [2] [3] is an American composer and conductor. In a career that has spanned seven decades, he has composed some of the most popular, recognizable, and critically acclaimed film scores in cinema history.

  2. Nederlands; 日本語; Norsk bokmål ... Language: English: Budget: $11 million: Box office: $775.4 million: ... John Williams Won Best Special Effects: John Dykstra ...

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  4. musicbrainz.org › artist › 53b106e7-0cc6-42cc-ac95John Williams - MusicBrainz

    Wikipedia. John Towner Williams (born February 8, 1932) is an American composer and conductor. In a career that has spanned seven decades, he has composed some of the most popular, recognizable, and critically acclaimed film scores in cinema history. He has a distinct sound that mixes romanticism, impressionism, and atonal music with complex ...

    • Plot
    • Cast
    • Production
    • Music
    • Themes
    • Release and Reception
    • Legacy
    • References
    • Further Reading
    • External Links

    In the Sonoran Desert, French scientist Claude Lacombe, his American interpreter, cartographer David Laughlin, and other researchers discover Flight 19, a group of United States Navy Grumman TBM Avenger torpedo bombers that went missing over the Bermuda Triangle on December 5, 1945. The planes are in perfect condition, but without any occupants. An...

    Richard Dreyfuss as Roy Neary, an electrical lineman in Indiana who encounters and forms an obsession with unidentified flying objects. Steve McQueen was Spielberg's first choice. Although McQueen...
    François Truffaut as Claude Lacombe, a French government scientist in charge of UFO-related activities in the United States. The UFO expert Jacques Vallée served as the real-life model for Lacombe....
    Teri Garr as Ronnie Neary, Roy's wife. Meryl Streep and Amy Irvingalso auditioned for the role.
    Melinda Dillon as Jillian Guiler. Teri Garr wanted to portray Jillian, but was cast as Ronnie. Hal Ashby, who worked with Dillon on Bound for Glory(1976), suggested her for the part to Spielberg. D...

    Development

    The film's inspiration arose in director Steven Spielberg's childhood, when he and his father watched a meteor shower in New Jersey. At age 18, Spielberg completed the full-length science fiction film Firelight. Many scenes from Firelight were incorporated in Close Encounters on a shot-for-shot basis. In 1970, he wrote the short story "Experiences" about a lovers' lane in a Midwestern farming community and the "light show" a group of teenagers see in the night sky. In late 1973, after complet...

    Filming

    Principal photography began on May 16, 1976, though an Associated Press report in August 1975 had suggested filming would start in late 1975. Spielberg did not want to do any location shooting because of his negative experience on Jaws and wanted to shoot Close Encounters entirely on sound stages, but eventually dropped the idea. Filming took place in Burbank, California; Devils Tower National Monument in Wyoming; two abandoned World War II airship hangars at the former Brookley Air Force Bas...

    Visual effects

    Douglas Trumbull was the visual effects supervisor, who filmed the visual effects alongside the live action. And then continued filming and composing CE3K's Post Production Visual Effects at his Future General's four industrial buildings located in LA's Marina del Rey, and in nearby Culver City. Carlo Rambaldi designed "Puck" the animatronic extraterrestrial. Trumbull joked that the visual effects budget of $3.3 million could have been used to produce an additional film. His work helped lead...

    The film score was composed, conducted, and produced by John Williams, who had previously worked on Spielberg's Jaws. Williams wrote more than 300 examples of the iconic five-tone motif, which had created by Collin Cantwel to be used by scientists to communicate with the visiting spaceship as a mathematical language, before Spielberg chose the one ...

    Film critic Charlene Engel observed that Close Encounters "suggests that humankind has reached the point where it is ready to enter the community of the cosmos. While it is a computer which makes the final musical conversation with the extraterrestrial guests possible, the characteristics bringing Neary to make his way to Devils Tower have little t...

    Box office

    The film was to be released in mid-1977 but was delayed to November because of the various production problems. Close Encounters premiered at the Ziegfeld Theatre in New York City on November 16, 1977, and continued there and at the Cinerama Dome in Los Angeles, grossing $1,077,000. Its national release was December 14, in 270 theaters and grossing $10,115,000 in one week with a per-screen average of $37,460.On December 21, 301 more theaters were added. By the end of the second week of nation...

    Critical reception

    Jonathan Rosenbaum refers to the film as "the best expression of Spielberg's benign, dreamy-eyed vision". A.D. Murphy of Variety magazine gave a positive review but wrote that Close Encounters "lacks the warmth and humanity" of George Lucas's Star Wars. Murphy found most of the film slow-paced, but praised the climax. On Sneak Previews, Gene Siskel and Roger Ebert highly recommended the film. Siskel praised the message of not being "afraid of the unknown", said Dreyfuss was "perfectly cast",...

    Reissues and home media

    On the final cut privilege, Spielberg was dissatisfied with the film. Columbia Pictures was experiencing financial problems, and depending on this film to save their company. He explained, "I wanted to have another six months to finish off this film, and release it in summer 1978. They told me they needed this film out immediately. Anyway, Close Encounters was a huge financial success and I told them I wanted to make my own director's cut. They agreed on the condition that I show the inside o...

    Observers credited the Close Encounters for launching the reemergence of a large market for science fiction filmsin the 1980s alongside Star Wars (1977) and Superman (1978). In 1985, Spielberg donated $100,000 to the Planetary Society for Megachannel ExtraTerrestrial Assay. Shortly after the film's release in late 1977, Spielberg considered either ...

    Bibliography

    1. McBride, Joseph (1997). Steven Spielberg: A Biography. New York City: Faber and Faber. ISBN 0-571-19177-0.

    Balaban, Bob (2002). Spielberg, Truffaut & Me: Close Encounters of the Third Kind—An Actor's Diary. Titan Books. ISBN 978-1-84023-430-5.
    González Hevia, Leoncio (2020). Encuentros en la tercera fase. La película. Almería, España: Grupo Editorial Círculo Rojo SL. ISBN 9788413634722.
    Klastorin, Michael (2017). Close Encounters of the Third Kind: The Ultimate Visual History. HarperCollins Publishers Inc. ISBN 9780062692993.
    Morton, Ray (2007). Close Encounters of the Third Kind: The Making of Steven Spielberg's Classic Film. Applause Theatre and Cinema Books. ISBN 978-1-55783-710-3.
    Close Encounters of the Third Kind essay by Matt Zoller Seitz at National Film Registry
    Close Encounters of the Third Kind essay by Daniel Eagan in America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry, A&C Black, 2010 ISBN 0826429777, pag...
    Close Encounters of the Third Kind at IMDb
    Close Encounters of the Third Kind at AllMovie
  5. Apr 24, 2024 · John Williams (born February 8, 1932, Queens, New York, U.S.) is an American composer who created some of the most iconic film scores of all time. He scored more than a hundred movies, many of which were directed by Steven Spielberg .

    • Alison Eldridge
  6. May 13, 2023 · English: John Towner Williams (born February 8, 1932) is an American composer, conductor and pianist. In a career that spans six decades, Williams has composed many of the most famous film scores in history, including all but one of Steven Spielberg 's feature films

  7. johnwilliams.org › reference › biographyJohn Williams | Biography

    In January 1980, Mr. Williams was named nineteenth music director of the Boston Pops Orchestra, succeeding the legendary Arthur Fiedler. He currently holds the title of Boston Pops Laureate Conductor which he assumed following his retirement in December 1993, after 14 highly successful seasons. He also holds the title of Artist-in-Residence at ...

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