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Organ music. Concert arias, songs and canons. Masonic music. Handel adaptations. See also. References. External links. List of compositions by Wolfgang Amadeus Mozart. For a complete and chronologically ordered list, see Köchel catalogue. Wolfgang Amadeus Mozart (1756–1791) was a prolific composer and wrote in many genres.
Wolfgang Amadeus Mozart (1756–1791) had a powerful influence on the works of Ludwig van Beethoven (1770–1827). Beethoven held Mozart in high regard; some of his music recalls Mozart's, he composed several variations on Mozart's themes and he modeled a number of his compositions on those of the older composer.
Wolfgang Amadeus Mozart [a] [b] (27 January 1756 – 5 December 1791) was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works representing virtually every Western classical genre of his time.
May 17, 2024 · Beethoven is widely regarded as the greatest composer who ever lived, in no small part because of his ability—unlike any before him—to translate feeling into music. His most famous compositions included Symphony No. 5 in C Minor , Op. 67 (1808), Symphony No. 7 in A Major , Op 92 (1813), and Symphony No. 9 in D Minor , Op. 125 (1824).
Apr 23, 2024 · Wolfgang Amadeus Mozart (1756–91) was an Austrian composer. Mozart composed music in several genres, including opera and symphony. His most famous compositions included the motet Exsultate, Jubilate, K 165 (1773), the operas The Marriage of Figaro (1786) and Don Giovanni (1787), and the Jupiter Symphony (1788). In all, Mozart composed more ...
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The later 1780s were the height of his success, with the string quartets dedicated to Haydn (who called Mozart the greatest living composer), the three great operas on Lorenzo Da Ponte’s librettos— The Marriage of Figaro (1786), Don Giovanni (1787), and Così fan tutte (1790)—and his superb late symphonies. In his last year he composed ...
Jan 27, 2020 · According to the Beethoven works’ catalogue, it is quite possible that the final version of the variations for piano and violin WoO 40 on Mozart’s “Se vuol ballare” was preceded by an original Bonn version for piano solo; volume 2, p. 101 (WoO 40, Zur Geschichte).
