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6 days ago · Leon Shamroy: 4 awards 1942 Awards resulted from 18 nominations. Joseph Ruttenberg: 1958 Awards resulted from 10 nominations. Most nominations Leon Shamroy: 18 nominations 1965 Nominations resulted in 4 awards. Charles Lang: 1972 Nominations resulted in 1 award. Most consecutive awards Emmanuel Lubezki: 3 consecutive awards 2013, 2014, 2015
May 18, 2024 · Directed by Franklin J. Schaffner, who would go on to win an Academy Award for best director for “Patton,” with cinematography by Leon Shamroy (best known for his work on “Cleopatra” and “The...
May 2, 2024 · A singular Hollywood masterpiece that draws freely from the women’s picture and film noir alike, Leave Her to Heaven boasts elegant direction by melodrama specialist John M. Stahl, blazing Technicolor cinematography by Leon Shamroy, and a chilling performance by Tierney, whose Ellen is a femme fatale unlike any other—a woman whose love is ...
2 days ago · Leon Shamroy; Film Music Composition and Songwriting: 9 Alfred Newman, all for Best Original Score; Of note: Alan Menken has won eight awards in musical categories; John Williams has won five awards and holds the record for the most nominations by a living person at 54. Sammy Cahn won four awards, all for Best Original Song
May 1, 2024 · The Robe was shown in Cinemascope at the time, the first film to exhibit in cinemascope. The Robe is a revelation. It shows the conversion of a Roman tribune to Christ which bursts on the screen like an epiphany of joy. It warms the cockles of your heart. The story flows from Jesus Christ’s robe the Romans rolled dice for at his crucifixion.
6 days ago · Leon Shamroy, Ray Rennahan US Every Man His Own Housewife: Merton Park Studios, Lintas 1940 Commercial Eng Fantasia (SF camera & three-strip) Walt Disney Productions, RKO Radio Pictures 1940 Animation, Family, Fantasy, Music, War Feature Ray Rennahan (live-action three-strip) US Irene: Imperadio Pictures, RKO Radio Pictures 1940
May 10, 2024 · But Schaffner finds immense strangeness in what ought to be a familiar landscape, punched up with a modest amount of low-budget effects, and mostly just what his great cinematographer Leon Shamroy can do with Panavision lenses and daylight horror, and with the angles they've selected to present it.
