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      • During the 20th and 21st Centuries, satire was found in an increasing number of media (in cartoons such as political cartoons with heavy caricature and exaggeration and political magazines) and the parallel exposure of political scandals to performances (including television shows).
      en.wikipedia.org › wiki › Political_Satire
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  2. Satire and New Media in the 20th and 21st Century. Throughout the 20th century, satire proliferated across an array of new media forms, including radio, television, film, and the Internet. While satire has long been a popular form that has extended beyond the literary to include both the visual and performative arts, specific media forms have ...

  3. Feb 15, 2023 · Satire is now a way to name a mode of comedy with the potential to make a change in the world. In the 21st century, this idea of ‘satire’ has become a central concept by which we assess and address the political potential of humour.

    • Nicholas Holm
  4. Jul 26, 2017 · Perhaps it makes sense that the modern dystopian novel emerged at the turn of the 20th century. It was a time of political unrest and global anxiety, with two world wars awaiting in the near future. Jack London’s 1908 novel Iron Heel was said to be a remarkable prophecy of the impending international tensions that would give way to World War I.

  5. Feb 28, 2017 · Sets the development of Renaissance satire in the context of humanist ideas about laughter and humor, surveying vernacular satiric forms such as jest books and beast fables as well as formal verse satire and epigram.

  6. Jan 12, 2024 · A world where emerging technologies seem set to disrupt society's foundations, whether by automating away swathes of labour or, worse, precipitating universal catastrophe. This doesn't just ...

  7. Dec 21, 2016 · Cartoons remained popular in newspaper and magazines in the 20th century, with Pulitzer Prize-winning cartoonist Herb Block leading the way with biting political satire.

  8. The 20th-century American critic Kenneth Burke summed up this paradoxical aspect of satire’s relation with the law by suggesting that the most inventive satire is produced when the satirist knowingly takes serious risks and is not sure whether he will be acclaimed or punished. The whole career of Voltaire is an excellent case in point.

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