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The film stars John Travolta, Samuel L. Jackson, Bruce Willis, Tim Roth, Ving Rhames, and Uma Thurman. The title refers to the pulp magazines and hardboiled crime novels popular during the mid-20th century, known for their graphic violence and punchy dialogue.
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Is Pulp Fiction a postmodernist film?
Is pulp fiction based on a true story?
Is Pulp Fiction a cult classic?
What is pulp fiction about?
By focusing on intertextuality and the subjectivity of time, Pulp Fiction demonstrates the postmodern obsession with signs and subjective perspective as the exclusive location of anything resembling meaning.
Oct 19, 2014 · Today, Quentin Tarantino’s gonzo pastiche Pulp Fiction is a cult classic. We reveal the film’s most closely-guarded mysteries as it turns 20.
- Marlow Stern
Sep 13, 2020 · Postmodern movies aim to subvert highly-regarded expectations, which can be in the form of blending genres or messing with the narrative nature of a film. For example, Pulp Fiction is a Postmodern film for the way it tells the story out of the ordinary, upending our expectations of film structure.
Similar to postmodernism as a whole, postmodernist film is a reaction again the modernist works in its field. Postmodernist film attempts to subvert the mainstream conventions of narrative structure and characterisation, and tests the audience’s suspension of disbelief.
May 14, 2014 · Pulp Fiction at 20: How a phenomenon was born. Quentin Tarantino’s homage to disreputable genres stormed Cannes 20 years ago. Tom Brook shows how the film became a sensation. In May 1994...
Oct 6, 2014 · The Race (ism) Situation. Many remember Pulp Fiction as a massive comeback for John Travolta, and it was, launching him into huge commercial stardom in the second half of the 1990s in films that included the indelible Get Shorty (1995) (and the less delible Phenomenon (1996) and Michael [1996]).
