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- The Holocaust cut off American klezmer from its roots and dried up the source of new immigrant musicians, causing klezmer to fade from the scene.
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Klezmer music, genre of music derived from and built upon eastern European music in the Jewish tradition. The common usage of the term developed about 1980; historically, a klezmer (plural: klezmorim or klezmers) was a male professional instrumental musician, usually Jewish, who played in a band
Some play it reproducing the sounds and arrangements of the past. Others kept its paraliturgic function, performing it at weddings and Jewish events. Finally, others, the predominant number, marry their music to contemporary music, to jazz, to world music… But after all, isn’t klezmer music a music for marriage?
May 13, 2024 · A combination of the Hebrew words for instrument (kley) and song (zemer), klezmer defined the sound of Ashkenazi Judaism pre-World War II. Klezmer blends the instrumentation of Eastern European folk dance, the rhythmic patterns and intricate cadences of traditional Jewish choral music, and minor key improvisation.
Sep 29, 2021 · Have you ever danced the hora? If you’ve attended a reception for a bar mitzvah or bat mitzvah, you probably have. Or perhaps you danced the hora at a Jewish wedding (or even a non-Jewish wedding). This popular dance is perhaps the best-known example of klezmer music, a style of instrumental music that dates back centuries and took hold in America in the twentieth century.
After the 1940s, however, the music almost totally died out - devastated in Europe by the death of so many Jewish musicians in the Holocaust, and unable to fight off the rival claims of the folk...
Klezmer music, whether in Europe or in America, at the turn of the 20th century or the 21st or the 18th, has done what Jewish music has done since it was born in the Middle East at the beginning of recorded time: It has adapted the music of the larger, surrounding culture. What it has never done, however, is assimilate completely.
By the 1940s and ’50s, klezmer music had been all but relegated to the Hasidic enclaves of Brooklyn and to Florida’s “condominium circuit,” populated by aging first-generation Jews transplanted from New York City who wanted to be bathed in nostalgia for the “old country” or their tenement memories.
