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  1. Across town, Luce (Lena Headey) (short for 'Lucy'), is introduced as a young woman who manages a flower shop, and happens to be the wedding florist. Luce realizes she has to make a final delivery and drives off to the church where Rachel and Heck's wedding is. At the church, Rachel's younger 12-year-old sister, Henrietta, adds to the hectic ...

  2. Imagine Me & You: Directed by Ol Parker. With Piper Perabo, Lena Headey, Matthew Goode, Celia Imrie. A newlywed bride becomes infatuated with another woman who questions her sexual orientation, promoting a stir among the bride's family and friends.

    • Ol Parker
    • 2 min
  3. Feb 1, 2005 · The cast includes Piper Perabo (COYOTE UGLY, CHEAPER BY THE DOZEN), Matthew Goode (MATCH POINT, HE KNEW HE WAS RIGHT), Lena Headey (THE BROTHERS GRIMM, RIPLEY’S GAME), Anthony Head (BUFFY THE ...

    • Ol Parker
    • Piper Perabo
  4. Sep 26, 2005 · Review of “Imagine Me and You”. Films involving queer relationships are often a disappointment to LGBT viewers, because the portrayals are stereotypical, the relationship is a sideline to a heterosexual plot, or the film is so small that you’ll only be able to see it at film festivals, and it isn’t going to get out there where it can be ...

  5. An audio synopsis of Imagine Me & You from 2005 meant to assist those who are visually impaired or don't have time to watch the whole movie.

    • 9 min
    • 103
    • AudioPlots - Movie Recaps, Plot Synopsis & Summary
  6. Imagine Me & You is a 2005 German-British romantic comedy film written and directed by Ol Parker, and starring Piper Perabo and Lena Headey with Matthew Goode, Celia Imrie, and Anthony Head. It centres on the relationship between Rachel (Perabo) and Luce (Headey), who meet on Rachel's wedding day. The film takes its title from the first line of ...

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  8. Imagine Me and You” (IMAY) was released to a limited audience in the US and parts of the world. It’s movie poster hinted where the movie was obviously heading. Though, with such an approach to a lesbian movie, audiences felt more satisfied going out of the theatre than when they first went in, at that time filled with doubt and premature ...

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