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  2. The Hissing of Summer Lawns is the seventh studio album by the Canadian-American singer-songwriter Joni Mitchell, released in November 1975 on Asylum Records. It continues the jazz-influenced sound of Mitchell's previous album, Court and Spark , with more unconventional and experimental material.

  3. Nov 30, 2015 · The Hissing of Summer Lawns is as full of human experience as anything on Blue. The tone is simply more stern, the perspective less ambiguous. Mitchell's narrator sees everything, giving...

    • Winston Cook-Wilson
  4. Aug 13, 2023 · The Lyrics. The lyrics of “The Hissing of Summer Lawns” are dense with imagery and symbolism, making it difficult to pin down a singular interpretation. However, the song is generally seen as a commentary on the state of the American suburbs in the 1970s.

  5. The Hissing Of Summer Lawns is many things. It's an exclusive peek behind the curtain of palm trees that protects the super-wealthy and the super-bored. It's a set of 10 musical pieces that are at times melancholy, graceful, fine-woven and inscrutable.

  6. With The Hissing of Summer Lawns nobody could any longer call her a ‘confessional songwriter’ (try to find any reference to ‘I’ in this album’s lyrics). Instead, much of the album is devoted to the ennui and the superficiality of upper middle-class America, especially the trophy wives. These were the baby-boomer women who were moulded ...

    • Classic Album Sundays
  7. Jul 15, 2023 · The Hissing of Summer Lawns is a terrific album that sees Mitchell expand her repertoire, unafraid to experiment with bolder sounds. Her lyricism remains tight and contemplative, telling stories with strong social commentary weaved throughout.

  8. Nov 23, 2015 · The Hissing Of Summer Lawns closes even more anomalously than it opens, with ‘Shadows And Light’, a breathtaking choral and synth meditation; a Gregorian chant made so modern that, after 45 years and countless hommages, it still sounds as if it is beaming in on a mainline from the future, in a steady rush of ideas and sound. Again, Mitchell ...

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