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      • Two narrative levels and plots referring to the same topic make up Spiegelgeschichte. It tells the story of the episodes of a life (and death) in three parts and from two diferent perspectives, which approach the topic according to their own logic and consequently select dif-ferent parts of the life and death theme.
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  1. generating class discussion of "Spiegelgeschichte" by any of the traditional approaches (plot questions, character interviews in class, delineation of relevant issues, etc.), I devised a structural outline of the story for an intermediate German class at Harvard University. It was photocopied and distributed to the class on the day before the story

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  3. Spiegelgeschichte generally refers to the life and death story of a young woman whose name is never revealed and who is dying in a hospital bed after a botched abortion. The first narrative level has a linear flow, reports the final stages of her life and the decline in her health, and is composed in the third person.

  4. 5 days ago · Seit über 100 Jahren vermisst Verschollenes deutsches U-Boot vor Schottland gefunden. Bei einem Einsatz verschwand 1916 die SM U-77. Im Ersten Weltkrieg sollte das deutsche U-Boot Minen verlegen ...

  5. Nov 11, 2020 · The spectrum of topics ranges from politics, business and science, medicine and technology, culture and entertainment to media, society and sports. This article from our archive provides insights...

  6. "Story in a Mirror" (German: "Spiegelgeschichte") is a short story by the Austrian author Ilse Aichinger written in 1949. The story is written backwards, beginning with the end of the biography of the unnamed woman, and ending with her early childhood.

  7. Spiegelgeschichte ist “rückwärts” geschrieben. die tragische Schicksal einer toten Frau und die Geschichte ihres Lebens von Ende bis Anfang.

  8. memories, associations and emotions. "Spiegelgeschichte," like a motion picture projector set for reverse, reveals the cause of an effect already known: someone is dying. The reader assumes at the beginning of the narrative that the dying person is a girl, partly because of the perspective and 11. The story appears in Meistererzahlungen, pp. 85-94.

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