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The following year another Spoliansky show appeared: 100 Meter Glück – 100 Metres of Happiness, also written with Schiffer before his death. Thiswould be Spoliansky’s last show in pre-war Germany, because indeed ‘the Nazis were coming, the Nazis were getting nearer’ – Adolf Hitler became Chancellor on January 30, 1933.
Mischa Spoliansky (28 December 1898 – 28 June 1985) was a Russian-born composer who made his name writing cabaret and revue songs in the Weimar Republic of the 1920s and early 1930s, before he was forced to emigrate to London in 1933 when Hitler rose to power. He stayed in Britain for the rest of his life, re-inventing himself as a composer ...
Sep 2, 2018 · Spoliansky’s “Alles Schwindel” Returns To Berlin’s Gorki Theater Next Season. Kevin Clarke. Operetta Research Center. 2 September, 2018. The good news is: Mischa Spoliansky’s modern-dating-chaos operetta Alles Schwindel (1931) is returning to Berlin’s Gorki Theater for the 2018/19 season.
May 26, 2021 · The show has not been performed since its premiere in 1932 at Komödienhaus Berlin. Poster for the 2021 production of Spoliansky’s “Das Haus dazwischen.” To make the revival possible in times of Corona the group(s) have launched a crowd funding campaign that ends on 31.
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Feb 5, 2024 · In one last night of clubbing through the smoke-filled decadence the Third Reich would be so eager to stamp out, Dance to the Abyss will explore the glorious historical and cultural frictions in the dirty pop music of its time, with excerpts from Kurt Weill and Bertolt Brecht’s Threepenny Opera, as well as some of Mischa Spoliansky’s cabaret classics, along with works from less remembered ...
- Patrick Pittman
The show was an overnight success and propelled Dietrich to fame, premiering on May 15, 1928. This led to an enduring friendship and collaboration between Spoliansky and Dietrich, including Spoliansky playing piano on her first recording as well as an impressive performance from Dietrich starring in Spoliansky’s Zwei Krawatten (Two Bow Ties), ...
Dec 17, 2017 · The show was quickly forgotten; it never had the career of other Spoliansky pieces such as Zwei Krawatten oder Rufen Sie Herrn Plimm! But in the course of the recent Spoliansky revival, Alles Schwindel was dug up once more and given a studio production in Dresden at the Semperoper, a production that doesn’t quite manage to stylistically meet ...
