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      • Music produced solely from electronic generators was first produced in Germany in 1953 by Karlheinz Stockhausen. Electronic music was also created in Japan and the United States beginning in the 1950s and Algorithmic composition with computers was first demonstrated in the same decade.
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  2. May 29, 2014 · Casual accounts of the history of electronic music tend to point back to familiar sources: Suicide’s babble’n’hum; Cluster, Klaus Schulze and the rest of the Krautrock squad; the stygian ...

    • What was electronic music like in the 1950s?1
    • What was electronic music like in the 1950s?2
    • What was electronic music like in the 1950s?3
    • What was electronic music like in the 1950s?4
    • What was electronic music like in the 1950s?5
  3. 1952. Development of 'Elektronische Musik' in Cologne, Germany. 1959. Formation of Columbia-Princeton Electronic Music Center. 1960s. Widespread establishment of electronic music studios across whole Europe and the US & rise of popular electronic music. 1970s - late 1980s.

  4. Mar 11, 2022 · In the 1950s, two opposing currents prevailed: the experimental, highly artistic musique concrète movement helped take electronic music in new directions, creating whole new genres of music almost unwittingly.

    • What was electronic music like in the 1950s?1
    • What was electronic music like in the 1950s?2
    • What was electronic music like in the 1950s?3
    • What was electronic music like in the 1950s?4
    • What was electronic music like in the 1950s?5
  5. Oct 4, 2013 · In the 1950s, Stockhausen worked in the Cologne studios of West German Radio and his first tape works, two Electronic Studies, were on the elektronische musik side of the great aesthetic divide.

  6. Electronic music was also created in Japan and the United States beginning in the 1950s and Algorithmic composition with computers was first demonstrated in the same decade.

  7. Category: 1950–1960. The ‘Fotosonor’. La Société Française électro-musicale, France. 1955. The ‘Fotosonor’ was a photo-electrical organ built in France during the 1950s and was designed to replace a traditional pipe organ liturgical music. Several models of the instrument were built;

  8. The 1950s witnessed an increasing number of composers exploring electronic tape as an expressive medium. Their primary goal seemed to be experimenting with its technical possibilities such as reverberation and modulation.

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