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- As a director, Fulci has worked in most genres. In over 60 films and 120 scripts he has shown himself to be a film pragmatist, working within generic and financial constraints to produce films which intensified during certain periods of time and style to redefine genre and cinematic pleasure.
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Lucio Fulci ( Italian: [ˈlutʃo ˈfultʃi]; 17 June 1927 – 13 March 1996) was an Italian film director, screenwriter, and actor. Although he worked in a wide array of genres through a career spanning nearly five decades, including comedies and spaghetti Westerns, he garnered an international cult following for his giallo and horror films.
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- How Is Fulci's Work Different?
- Fulci's Path Into Moviemaking
- Fulci Continued Experimenting Throughout The 1970s
- What Makes Fulci's Brand of Cinema Unique?
Fulci, then, is the unrepentant gorehound of the Giallo triumvirate. Here is a man who never met a bloody practical effect he didn’t adore, and a true artist who seemed to operate from one overriding principle as he made his way through a career that included slashers, straightforward dramas, sex comedies, spaghetti Westerns, haunted-house chillers...
Lucio Fulci was born in Rome in 1927. He got his sea legs, cinematically speaking, making a series of documentary shorts in the late 1940s, before directing his first official feature, I Ladri, or The Thieves, in 1959. The crime-comedy bears little of the stylistic hallmarks that would go on to define Fulci's later, more grotesque, and, it must be ...
Fulci continued to experiment throughout the 1970s, tackling the respective mythologies of White Fang and Dracula in 1973's White Fang and Dracula in the Provinces, respectively before taking on more subtle, soulful psychological thrillers like 1977’s drastically underrated The Psychic. Amidst all this he still somehow managing to helm the odd sex ...
What makes Lucio Fulci’s uniquely sick brand of cinema such a joy is exactly the same element that makes his owrk comparable to the Argento’s and Bava’s of the Italian cinema cannon: no one, and we do mean no one, makes movies quite like this dude. Fulci's horror films make the works of American directors from the same time period look timid. For F...
- Deep Red. The best giallo on this list is also a Christmas horror movie. Yes, you read that correctly. "Deep Red" begins with a murder sequence in front of a Christmas tree, while the credit sequence unfolds around children's toys.
- A Bay of Blood. Also known as "Twitch of the Death Nerve" (an absolutely incredible title), Mario Bava's 1971 film "A Bay of Blood" is not only a giallo, but feels like a direct precursor to the then-upcoming slasher genre in the United States and Canada.
- Tenebrae. We already know that Dario Argento doesn't miss, at least with his giallo films, and his 1982 effort "Tenebrae" is no exception. In fact, it's one of his best.
- Knife+Heart. Yann Gonzalez's 2018 film, "Knife+Heart" is the only contemporary choice on this list. It deserves a place among the biggest giallo hits of the 1960s and 1970s not only for its colorful aesthetic choices, but also for focusing its narrative on queer communities and sex workers.
Mar 13, 2021 · Nicknamed the ‘Godfather of Gore’ for his gratuitously gory scenes of violence, Lucio Fulci, together with horror directors Mario Bava and Dario Argento, would go on to define the Italian Giallo sub-genre in the 1970s.
Oct 19, 2020 · A grandfatherly man with a knit cap and coke bottle glasses that rivaled George Romero’s own specs, Fulci did what so few horror directors ever even attempted: he created artistically impactful...
Lucio Fulci is arguably the most underrated and under-appreciated director of all-time. As an Italian filmmaker for hire, Fulci took low budget exploitation scripts and churned out artistic genre films.
Apr 22, 2004 · Fulci began his public career scriptwriting and making rudimentary documentaries such as Pittori Italiano dei dopoguerra (1948). During this time he worked under Luchino Visconti, Roberto Rossellini, Federico Fellini, Steno and Mario Bava.
