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Syncopated, or "ragged", rhythm
- Ragtime music is a popular American style of music known for its syncopated, or "ragged", rhythm. The music style originated in predominately African-American communities and exploded in popularity by the late 1800s, led by artists such as Scott Joplin and Sissieretta Jones.
guides.loc.gov › chronicling-america-ragtimeRagtime: Topics in Chronicling America - Library of Congress
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- Banjo and Fiddle. It is not easy to tell when and where this lively, rhythmically propulsive music began, but it is possible to point to some very specific roots and to see it bear fruit.
- The Heart of Ragtime. Missouri, located in the center of America, was the heartland of ragtime. As noted by popular music historians David Jasen and Gene Jones, "There were more rags - and more good rags - from Missouri than anywhere else."
- The Sound of Ragtime. By the early 1890s Americans had become infatuated with the multi-strained "March and two-step," which was basically the same as a march.
- The Fad. Ragtime was everywhere by the early 1900s - in sheet music, piano rolls, phonograph records, and ragtime piano playing contests, as well as in music boxes, vaudeville theaters, and bordellos.
- “The Entertainer” by Scott Joplin
- “Top Liner Rag” by Joseph Lamb
- “Maple Leaf Rag” by Scott Joplin
- “Elite Syncopations” by Scott Joplin
- “Black and White Rag” by George Botsford
- “Tiger Rag” by Jelly Roll Morton
- “Frog Legs Rag” by James Scott
- “The Charleston Rag” by Eubie Blake
- “The Mississippi Rag” by William Henry Krell
- “Grace and Beauty” by James Scott
Probably the most iconic and well-known piece of Ragtime music is undoubtedly “The Entertainer.” Written by the Ragtime King, Scott Joplin, it gained popularity during the early 1900s and then again in the 1970s. For many people, “The Entertainer” is one of the first pieces that pop into their minds when they think about piano music. The compositio...
If you are looking for a hit you can play for other people, consider giving “Top Liner Rag” a try! It was written by Joseph Lamb—who was considered one of the big three of ragtime music, together with James Scott and Scott Joplin—in 1916. Published by Stark Music Co. and originally titled “Cotton Tail,” “Top Liner Rag” is overall considered the bes...
Here is another fun piece written by Scott Joplin. Published in 1899, “Maple Leaf Rag” is the one he composed that gained him the King of Ragtime title. It is also considered to have set the standard for the genre. If you are used to classical ragtimemusic, this is a piece that will definitely test your skills in different ways. Though the tempo is...
Scott Joplin shows up again with this popular piano piece. Published in 1903, “Elite Syncopations” is among his popular ragtime pieces. It’s named after the off-beat, bouncing rhythms ragtime is characterized. As you play this piece, the baseline is going to act as an exceptional countermelody to the tune being played in the right hand. In addition...
“Black and White Rag” is a piece published in 1908. It was written by George Botsford,one of the most iconic composers of his era, and was recorded for both piano and phonograph. Botsford received a formal music education, so “Black and White Rag” does not necessarily have the same level of flexibility as the others on this list. However, it was st...
In 1917, the Original Dixieland Jass (changed to Jazz in 1917) Band recorded and copyrighted “Tiger Rag.” Jazz pianist Jelly Roll Mortoncomposed the popular piano version most known today. “Tiger Rag” is a beautiful mixture of both jazz and ragtime music, and there are a number of fun tricks that Morton used to bring out the best of both. There is ...
The third of the big three of ragtime, we have next James Scott, one of the most prolific ragtime composers of the era. “Frog Legs Rag” was a piece he composed around 1906. The composition was published to critical acclaim and was the second most commercially successful—first was “Maple Leaf Rag,” discussed earlier—at the time. “Frog Legs Rag” has ...
Composed and published in 1899 by Eubie Blake, “The Charleston Rag” was one of the most popular pieces of the era. It was often played with a number of other musical instruments. That being said, it can certainly be played solo on the piano. Even though there are numerous rhythms that are found throughout the piece, you will also hear swingunderton...
If you are looking for something that is a bit off the beaten path, you may want to check out “The Mississippi Rag” by William Henry Krell. Composed in 1897, it is said that the piece is the first ever ragtime number published. However, “The Mississippi Rag” has a less syncopated rhythm in it than most traditionalists like. So much so that it is of...
Next up, we have another classic composed by James Scott. “Grace and Beauty” was published by John Stillwell Starkin 1909 and is among Scott’s best ragtime pieces. With a scintillating rhythm, “Grace and Beauty” has an intro that smoothly transitions into the A section with a rising harmony. Sections repeat throughout the piece, and the C section f...
Why? As my research shows, the disdain and even fear directed towards ragtime came from its origins in the music and dance of formerly enslaved African Americans. Following emancipation, Black performers, both male and female, occupied increasing central roles in popular entertainments.
February 15, 2021. Ragtime-Review.jpg. By Kathryn Neves. This season’s musical, Ragtime, is about a lot of things—the struggles of immigrants and the working class, the ignorance of white middle-class America, racial tensions and inequality, and the innovations and lives of several historical figures.
Still, ragtime, at least for a few years, was wildly popular with white audiences, many of whom enjoyed a particular lyrically driven subset of the genre known colloquially as “ragtime song.” As ragtime became the popular music of the day, however, another musical form, rooted directly in the black experience, began to percolate out of the ...
Ragtime is an incredibly important American musical-style that was popular during the late 1890s up until 1920, which means you’ve most likely heard ragtime at some point in time. If you are familiar with the “ Maple Leaf Rag ” or “ The Entertainer ” by Scott Joplin , you have heard of ragtime!
It was a primary form of polite interaction. Most houses of the day had a music room and were equipped with numerous instruments. The piano, violin, mandolin, guitar and banjo were among the most popular. Published sheet music was, therefore, very big business.
