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Oct 14, 2022 · The FinkTeam KIM is a fairly easy-to-drive loudspeaker, with its 86 dB sensitivity and 8-ohm nominal impedance that never dips below 5.9 ohms. The KIM employs an 8” woofer with a 38mm voice coil, which crosses over to the AMT tweeter at 2200 Hz.
Nov 16, 2023 · KIM in my then living room. KIM's design-brief began with imagining a speaker that would most naturally fit into a normal living room. At a height of 34.5 inches on its 5 degree angled stands, KIM is no taller than a window-sill, a table-top, or a couch, so that it comfortably fits with the rest of the furniture in a typical domestic space.
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May 2, 2021 · driver of KIM delivered highs in their full glory without harshness; it’s seemingly not a bright loudspeaker in balance but it is well lit. There’s plenty of low end heft, allowing KIM to deliver my standard CD test tracks with calm ease: the stabbing synth kick drum that dominates Safri Duo’s Samb Adagio had thunderous strength, powering ...
Mar 10, 2021 · FINK TEAM KIM LOUDSPEAKER REVIEW. FinkTeam KIM is the German company’s smallest loudspeaker. It is a two-way standmount loudspeaker with its own stand and sports an AMT tweeter. Stuart and Linette Smith take a listen. Front view of the FinkTeam KIM loudspeakers.
Mar 11, 2021 · FinkTeam KIM Loudspeaker. Review: Andrew Everard, Lab: Paul Miller | Mar 11, 2021. More room and wallet-friendly than the flagship Borg, Fink's compact KIM packs no less 'tech'. No, they're not named after a Kardashian, a Rudyard Kipling novel or even Mel & pop partner.
A great speaker has a humble, welcoming attitude. They’re open to criticism, feedback, and intend to turn it into something constructive. They develop empathy because it allows them to step into others’ shoes and expand the horizon of their own perspectives. Even their demeanor indicates their patience.
There was a lovely silkiness to the sound, allied to great delicacy that's rare to hear from any hi-fi loudspeaker. This was further allied to a great sense of air and space to the recorded acoustic. Despite this being a humble, early nineties indie-pop production, it sounded positively ethereal.
