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- Within hours of the attack, Françoise Mouly and Art Spiegelman went to work to create the famous black-on-black image—that almost didn't happen.
www.theatlantic.com › entertainment › archiveThe Uncredited Collaboration Behind The New Yorker 's Iconic ...
Sep 11, 2013 · Within hours of the attack, Françoise Mouly and Art Spiegelman went to work to create the famous black-on-black image—that almost didn't happen.
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Sep 1, 2011 · In its quiet beauty, Juan’s image evokes both the reflecting pools at soon-to-be-opened Ground Zero Memorial and the black-on-black cover that The New Yorker published in the aftermath of 9/11....
- Françoise Mouly
Feb 16, 2015 · Art Spiegelman and Françoise Mouly’s silent black-on-black image of the phantom towers limns the sorrow and the dignity of the moment. The attacks of 9/11 were not the only event that...
- Hendrik Hertzberg
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Sep 6, 2021 · I ended up drawing a black cover and adding, at the suggestion of my husband and collaborator (the cartoonist Art Spiegelman), the silhouette of the towers, just barely visible, in a deeper...
- Françoise Mouly
Meet Françoise Mouly, The New Yorker's art director. For the past 24 years, she's helped decide what appears on the magazine's famous cover, from the black-on-black depiction of the Twin Towers the week after 9/11 to a recent, Russia-influenced riff on the magazine's mascot, Eustace Tilley.
Sep 11, 2013 · While Spiegelman drew a cover with “the towers covered in a Christo-like black shroud against a Magritte-style blue sky,” Mouly was inspired by her neighbor to use negative space.
Dec 18, 2017 · New Yorker art editor Françoise Mouly and her daughter, writer Nadja Spiegelman, discuss how America’s image of women has evolved from World War II to today.