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- Between 1958 and 1987, Serge Gainsbourg released 17 genre-bending studio albums – all featuring those mellifluent half-sung vocals. Though it frayed with age, that smoky voice was perhaps the only element of Gainsbourg’s music that remained unchanged.
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Jun 13, 2011 · The work of Serge Gainsbourg, the large-nosed, Gitanes-smoking French icon whose jazzy, bohemian songs exemplified a sexually liberated France of the 1960s and 1970s, is enjoying a resurgence...
Sep 5, 2023 · Gainsbourg’s deep and smoky voice adds an extra layer of intensity to the song, creating a hauntingly beautiful experience for the listener. The melody itself is melancholic yet seductive, perfectly complementing the emotional depth of the lyrics. Frequently Asked Questions. What inspired Serge Gainsbourg to write Initials B.B.?
- ‘L’Eau à La Bouche’
- ‘Lemon Incest’
- ‘Couleur Café’
- ‘La Chanson de Prévert’
- ‘Baudelaire’
- ‘La Javanaise’
- ’ Je T’Aime … Moi Non Plus’
- ’69 Année Érotique’
- ‘Aux Armes et Caetera – Dub Style’
- ‘Cargo Culte’
Serge was a master of cool. Nowhere is this more apparent than in the video for his 1960 single ‘L’eau à la bouche’, in which the singer is seen making his best Jean-Luc Godard impression. Cigarette pinned to his lips, he croons above an orchestral arrangement reminiscent of the originalJames Bondscore – composed by John Barry, who was married to J...
A shining example of how misunderstood Gainsbourg is outside France, ‘Lemon Incest’ is perhaps the most controversial single in the French singer’s catalogue. It’s also one of the most intoxicating. The song has long been accused of celebrating paedophilia, but such criticisms ignore just how essential provocation was to Gainsbourg’s creative raiso...
Released in the autumn of 1964 on Gainsbourg Percussions, ‘Couleur Café’ was an act of reinvention that saw Serge immerse himself in a swirl of Cuban, West African and Latin influences. It’s possible he was left unsatisfied with the recording – Gainsbourg didn’t make another until 1968 – but it still stands up decades later. Serge himself may have ...
Released in the wake of Gainsbourg’s divorce from Elisabeth ‘Lize’ Levitsky, this 1961 cut – featured on his third albumL’Étonnant Serge Gainsbourg – was inspired was absurdity poet Jacques Prévert’s song ‘Les Feuilles mortes’, which was composed for Marcel Carné’s 1946 film Les Portes de la Nuit. Gainsbourg had a habit of borrowing heavily from pr...
Featured on one of Gainsbourg’s finest albums, 1962’sN° 4, this sultry setting of Baudelaire’s poetry marks a fracture between the singer’s classic Chanson-jazz style and the modish inflexions of Gainsbourg Confidentiel andGainsbourg Percussions– both released in 1964. For this Latin-infused number, and indeed all the songs on No.4, Gainsbourg work...
Originally composed by Gainsbourg for the great Juliette Gréco and recorded by them both in 1963, ‘La Javanaise’ sees Serge conjure up the heat of a stifling Parisian summer. A multilayered pun, the title of his brilliant single refers both to the Parisian dance craze sweeping the city at the time of its composition and the word game ‘Javanaise’, i...
How could we not include thisinfamous erotic masterpiece? Written following Serge’s first date with Brigitte Bardot, during which she ordered him to write her “the most beautiful love song he could imagine”, it was eventually re-recorded with Jane Birkin after Bardot became concerned about how the scandalous track might impact her acting career. On...
This next track is taken from 1969′s Jane Birkin/Serge Gainsbourgand sits alongside a host of Gainsbourg’s classical, including Je t’aime … moi non plus’. While that opening number did hog the spotlight somewhat, the sun-dappled ’69 année érotique’ is perhaps an even finer example of Gainsbourg’s timeless sophistication. An immaculate blend of Chan...
Gainsbourg was a real shapeshifter. By the end of the 1970s, he’d shed his skin countless times over and embraced a myriad of styles. With ‘Aux Armes et caetera’, he again surprised his fanbase with this unexpected collaboration with Sly Dunbar and Robbie Shakespeare. The original song is a real diamond, but this undulating, psych-tinged dub versio...
The final track from Gainsbourg’s moody romantic epic L’Histoire de Melody Nelson, ‘Cargo Culte’ is a monumentally influential recording, foreshadowing countless genres, including hip-hop (it’s those snappy drums, man) in just 28 minutes. Considering it concludes what has to be Serge’s finest album and contains multitudes despite its minimalism, we...
Jun 13, 2011 · Jun 13 - The work of Serge Gainsbourg, the large-nosed, Gitanes-smoking French icon whose jazzy, bohemian songs exemplified a sexually liberated France of the 1960s and 1970s, is enjoying a resurgence in the most unlikely of places -- perfume ads.
Gainsbourg, a life lived in revenge for the yellow star ... who reappears throughout the film as the voice of Gainsbourg's mischievous alter-ego. This whimsical aspect of the film - and its ...
Serge Gainsbourg (French: [sɛʁʒ ɡɛ̃zbuʁ] ⓘ; born Lucien Ginsburg; 2 April 1928 – 2 March 1991) was a French singer-songwriter, actor, composer, and director. Regarded as one of the most important figures in French pop , he was renowned for often provocative releases which caused uproar in France, dividing public opinion. [2]
Mar 4, 1991 · PARIS —. Serge Gainsbourg, a singer and songwriter known for his image of unshaven decadence and intimate ballads with erotic overtones, died late Saturday at his home. Ambulance attendants said ...
