Yahoo Web Search

Search results

      • When Steve Trevor arrived on Paradise Island, the Amazons needed an emissary to escort him back to Man's World. Disobeying the orders of her mother, Diana entered the competition in secret and won the right to become emissary and take the title Wonder Woman.
      screenrant.com › wonder-woman-emelie-lore-change-themyscira
  1. People also ask

  2. Wonder Woman tells the tale of Princess Diana of Themyscira. Her original backstory says she was formed out of clay by her mother, Hippolyta, and had life bestowed upon her by the Greek gods...

  3. en.wikipedia.org › wiki › Wonder_WomanWonder Woman - Wikipedia

    No longer Wonder Woman, Diana sported a new black biker-girl outfit designed by artist Mike Deodato Jr. After John Byrne took over writing and art duties, he redesigned the Wonder Woman outfit (Diana was reinstated as Wonder Woman at the end of Loebs' run) and joined the emblem and belt together.

  4. In “Victory at Sea,” from March 1943, Steve Trevor proposes administering a lie detector test to Diana Prince, who was secretly Wonder Woman. Smithsonian Libraries

  5. Jun 30, 2019 · Princess Diana became Wonder Woman when she met Steve Trevor who was an intelligence officer in the US Army. Trevor crash landed on Paradise Island – a place that doesn’t allow men. Princess Diana nursed him back to health.

    • Overview
    • Origin in the Golden Age
    • The Silver Age and television success

    Wonder Woman is an American comic book heroine created for DC Comics by psychologist William Moulton Marston (under the pseudonym Charles Moulton) and artist Harry G. Peter.

    How did Wonder Woman get her powers?

    Wonder Woman is an Amazon, a race of female warriors in Greek mythology. For the purpose of the Wonder Woman character, it was the Greek gods who gave her her powers. These powers include superhuman strength and speed as well as the ability to fly.

    What does Wonder Woman do?

    Wonder Woman is a powerful leader and warrior. Her strength, speed, near invulnerability to physical harm, and equipment (particularly her golden lasso) make her a strong character. She is part of the DC “trinity,” along with Batman and Superman, and is a founder of the Justice League, humanity’s defense against powerful threats.

    What is the movie Wonder Woman 1984 about?

    The details of Wonder Woman’s origin have changed many times over the years, but the basic premise has remained largely the same. U.S. Air Force pilot Steve Trevor’s plane crashes on the uncharted Paradise Island, home of the legendary Amazons. The raven-haired Princess Diana finds Trevor, and the Amazons nurse him back to health. A tournament is held to determine who will take the pilot back to “Man’s World,” but Diana is forbidden to enter. Disguising herself, she engages in the games, winning them and being awarded the costume of Wonder Woman. Diana takes Trevor back to the United States in her invisible plane, and she adopts the secret identity of Diana Prince. As Prince, she soon becomes Trevor’s assistant, and Trevor—much like a gender-reversed Lois Lane—never realizes that his coworker and the superhero who consistently comes to his rescue are the same person.

    In her first 40 years of adventures, Wonder Woman wore a distinctive red bodice with a gold eagle, a blue skirt with white stars (quickly replaced by blue shorts with stars), red boots with a white centre stripe and upper edge, a gold belt and tiara, and bracelets on each wrist. The bracelets could deflect bullets or other missiles, and hanging from her belt was a magic golden lasso, which compelled anyone bound by it to tell the truth or obey her commands. Among her powers were prodigious strength and speed, near invulnerability to physical harm, and formidable combat prowess. On some occasions, she also displayed the ability to converse with animals.

    Britannica Quiz

    Marvel or DC?

    Wonder Woman was popular with readers for many reasons. For a nation engulfed in World War II, her unwavering patriotism was welcome. Male readers enjoyed the adventures of a scantily clad woman who was drawn in the style of one of Esquire magazine’s Varga Girl pinups and who was often tied up by male or female villains. Critics—most notably anti-comics polemicist Frederic Wertham—would call attention to the preponderance of bondage in Wonder Woman stories, but Marston claimed such scenes to be allusions to suffragist imagery. (This defense strained credibility, however, as the concept of “loving submission” to authority was pervasive throughout both Wonder Woman comics and Marston’s personal life.) Female readers liked the series because it presented a strong and confident woman who often spoke about the power of womanhood and the need for female solidarity. In an industry where superheroines tended to be used for cheesecake titillation or as adjuncts to their more powerful and popular male counterparts, Wonder Woman stood apart.

    Unlike Superman or Batman, the other members of what would come to be known as DC’s “trinity,” Wonder Woman would never develop an especially memorable gallery of villains. Among her persistent foes were the catlike Cheetah, the towering Giganta, the sorceress Circe, and the telepath Dr. Psycho, whose mental powers were a sinister inversion of Marston’s “loving submission” credo. Besides appearing in her own two titles, Wonder Woman was a featured member of the Justice Society of America in the pages of All Star Comics.

    Marston wrote Wonder Woman until his death in May 1947, with Peter providing the art during most of that time. Robert Kanigher succeeded Marston as writer in 1948, but the popularity of superhero comics had sharply declined in the postwar years. The heroine last appeared with the Justice Society in All Star Comics no. 57 (February 1951), and she was dropped from Sensation Comics after no. 106 (December 1951). Sensation was subsequently turned into a horror anthology to capitalize on that genre’s surging popularity, leaving her bimonthly series as the sole Wonder Woman title. Peter was replaced by artists Ross Andru and Mike Esposito, among others.

    Kanigher had a flair for the outrageous, and he introduced many elements into the Wonder Woman mythos that rattled longtime readers. These included adventures featuring a younger Wonder Woman (as Wonder Girl and Wonder Tot), romantic suitors such as Merman and Birdman (and their youthful counterparts Mer-Boy and Bird-Boy), and bizarre villains like Angle Man, Paper-Man, and a sentient egg (and obvious “yellow peril” stereotype) known as Egg Fu. Resistance from fans would lead Kanigher to take the unorthodox step of writing himself, Andru, and Esposito into Wonder Woman no. 158 (November 1965), so he could personally “fire” the supporting cast that he had introduced and restore Wonder Woman to her “Golden Age” roots.

    • Andy Mangels
  6. After the death of Superman, Wonder Woman became depressed and began to remember her origins differently, questioning aspects of her past such as whether she truly was mocked as a child and her relationship with Ares. In a fit of rage Diana crushed the helmet of War.

  7. en.wikipedia.org › wiki › Diana_PrinceDiana Prince - Wikipedia

    The explanation was that Amazon scientists treated Wonder Woman's clothes with a special chemical that would respond to the vibrations of the magic lasso; whenever Diana stepped into the lasso loop and brought it up and down, her Diana Prince clothes would transform into the Wonder Woman armor.

  1. People also search for