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- Roberto Rossellini (born May 8, 1906, Rome—died June 3, 1977, Rome) was one of the most widely known post-World War II motion-picture directors of Italy. His films Roma città aperta (1945; Open City) and Paisà (1946; Paisan) focussed international attention on the Italian Neorealist movement in films.
www.britannica.com › biography › Roberto-RosselliniRoberto Rossellini | Italian Neorealist Director & Filmmaker
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Roberto Gastone Zeffiro Rossellini (8 May 1906 – 3 June 1977) was an Italian film director, screenwriter and producer. He was one of the most prominent directors of the Italian neorealist cinema, contributing to the movement with films such as Rome, Open City (1945), Paisan (1946), and Germany, Year Zero (1948).
May 19, 2024 · Roberto Rossellini (born May 8, 1906, Rome—died June 3, 1977, Rome) was one of the most widely known post-World War II motion-picture directors of Italy. His films Roma città aperta (1945; Open City) and Paisà (1946; Paisan) focussed international attention on the Italian Neorealist movement in films. The son of a successful sculptor and ...
- The Editors of Encyclopaedia Britannica
May 3, 2024 · Fri 3 May 2024 9:00, UK. One of the easiest ways to assess and gauge the impact any director has made on cinema is by the calibre of filmmakers they inspired in the years to come, and in that regard, it’s beyond reproach that Roberto Rossellini is one of the most influential in history.
Despite this not being an unequivocal characteristic of every neorealist film, several directors, especially Vittorio De Sica, Roberto Rossellini and Luchino Visconti, examined Italian society through a humanist lens in their neorealist features, creating morally positive films that emphasised a respect and admiration for humans.
May 17, 2018 · At its most basic level, Rossellini's dominant concern appears to be a preoccupation with the importance of the individual within various aspects of the social context that emerged from the ashes of World War II. In his early films, which a number of historians have simplistically termed fascist, his concern for the individual was not balanced ...
Apr 22, 2024 · Italian filmmaker Roberto Rossellini caused scandal in both his life and work; his filmmaking was unorthodox and experimental; his interests adventurous and multifaceted. ‘Il miracolo’, from his two-story anthology film L’amore (1948), was denounced as blasphemous and banned in the US before the ban was overturned by the US Supreme Court.
First, Rossellini's interest in the portrayal of realism was deeply rooted within the Fascist cinematic era in which he was trained by truly Fascist film makers and government officials. Apparently there was not a smooth break between the Fascist and the Neorealist eras.
