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  1. Jan 26, 2024 · A still from The Limits of Control, via PointBlank Films. Beyond this satirical take on the spy film, the visual style and the frankly overwhelming sense of cool that comes from Isaach De Bankole ...

    • Reece Beckett
  2. May 1, 2009 · Marbling the violent tension of Ghost Dog, possibly Jarmusch’s best film, with the pretentious conversations of Coffee and Cigarettes, arguably his worst, The Limits of Control will satisfy a ...

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  4. Jan 23, 2020 · Every month, we at The Spool select a filmmaker to explore in greater depth — their themes, their deeper concerns, how their works chart the history of cinema and the filmmaker’s own biography. For January we’re celebrating the work of godfather of independent film Jim Jarmusch. Read the rest of our coverage here. As The Limits of Control opens, it casts a spell. In a fine example of ...

  5. Oct 17, 2023 · Unlike most every other hitman thriller - even Jarmusch's own flawed spiritual sequel, The Limits of Control, which starred Ghost Dog's own scene-stealer, Isaach de Bankolé ( Casino Royale) - this 1999 Neo-noir crime drama is an eclectic blend of Japanese samurai musings, colourfully obnoxious Italian mafioso who sling racial epithets and quote ...

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  6. Dec 7, 2009 · The Limits Of Control will polarise audiences.As said above, it is tedious in places to watch. Very little happens, except the constant repetitions of rituals. There is a groove to it, but it’s ...

  7. Dec 24, 2020 · The two actors recount how they were cast before reflecting on their characters in the film, also touching on how the film could be viewed today and how the film still appeals to new audiences. Bankolé also brings up his assassin character in Jarmusch’s The Limits of Control in relation to the main character in this film. It runs about 30 ...

  8. Jarmusch is not mainstream, nor has he ever pretended to be, and there's nothing about The Limits of Control to change that. (Arguably, his most accessible films to date are Ghost Dog and Broken Flowers, and The Limits of Control is more obtuse than either.) Yet, as much as the proceedings have the capacity to fascinate, the ending, which ...

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