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    • Ryan Heffernan
    • 'M' (1931) Letterboxd Rating: 4.3. A celebrated highlight of German expressionism, which thrives as a superbly engrossing and heart-pounding crime thriller, M displays Peter Lorre at his absolute best.
    • 'Casablanca' (1942) Letterboxd Rating: 4.3. Another slick 40s classic that utilized Lorre in a supporting part alongside Humphrey Bogart, Casablanca is arguably the crowning glory of American cinema in the 20th century.
    • 'The Maltese Falcon' (1941) Letterboxd Rating: 3.9. As one of the most renowned classic noir films, 1941's The Maltese Falcon is among America’s defining cinematic achievements, excelling as a captivating mystery movie imbued with a host of great characters.
    • 'Arsenic and Old Lace' (1944) Letterboxd Rating: 3.9. A riotously funny black comedy that thrived off the back of Cary Grant’s typically brilliant lead performance, Arsenic and Old Lace is one of the defining classics of screwball comedy in Golden Age Hollywood.
  1. May 15, 2024 · List of the best Peter Lorre movies, ranked best to worst with movie trailers when available. Peter Lorre's highest grossing movies have received a lot of accolades over the years, earning millions upon millions around the world.

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  2. Here we take a look at the ten best Peter Lorre movies as rated by users on Letterboxd. 1. “M” (1931) – Directed by Fritz Lang, this film features Lorre in his breakthrough role as Hans Beckert, a serial killer preying on children in Berlin.

    • M (1931) Director: Fritz Lang. We hear him before we see him, his silhouette cast across a reward poster offering 10,000 marks for his apprehension. “What a pretty ball you have there.
    • The Man Who Knew Too Much (1934) Director: Alfred Hitchcock. With Hitler’s goons paying close attention to what they saw as the German Expressionist movement’s promotion of decadence and obscenity, and artists and academics rounded up, Lorre took Goebbels’ advice when he suggested he flee to Paris in the spring of 1933.
    • Mad Love (1935) Director: Karl Freund. Lorre’s first American picture wasn’t made for Columbia, with whom he’d signed a $1,000-a-week contract on the back of The Man Who Knew Too Much.
    • Crime and Punishment (1935) Director: Josef von Sternberg. By no means a great Dostoyevsky adaptation, or even a great von Sternberg film, but Lorre’s commitment to the part of ‘Roderick’ Raskolnikov is undeniable.
  3. en.wikipedia.org › wiki › Peter_LorrePeter Lorre - Wikipedia

    Peter Lorre (German: [ˈpeːtɐ ˈlɔʁə]; born László Löwenstein, Hungarian: [ˈlaːsloː ˈløːvɛ(n)ʃtɒjn]; June 26, 1904 – March 23, 1964) was a Hungarian and American actor, active first in Europe and later in the United States.

  4. Dec 27, 2021 · Noir City, San Francisco: He watches by night... Recently I found myself, for the fifth time, among the denizens of a place that celebrates my favorite cinematic genre: the historic Castro Theatre in San Francisco, home of the Film Noir Foundation's 11th Annual Noir City Film Festival.

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  6. Sep 12, 2014 · Played by a youthful Peter Lorre in 1931, this would be the first, the greatest and most representative major role in a career that, in its own fashion, goes to the heart of what makes the...

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