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Nov 10, 2006 · The Rossellini reality principle is ephemeral and profound. He helped usher the world back into cinema by mixing authentic people and locations in with actors and studio sets.
But art, I think, is not death, it is life. It is the way of perpetuating life. It is the way of giving a reason to things. It is the way of exalting enthusiasm. It is the way of giving emotions. When art delights in killing emotions, in depriving life of everything vital, it is no longer an art [1962]. 4. Rossellini goes further.
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May 3, 2024 · Fri 3 May 2024 9:00, UK. One of the easiest ways to assess and gauge the impact any director has made on cinema is by the calibre of filmmakers they inspired in the years to come, and in that regard, it’s beyond reproach that Roberto Rossellini is one of the most influential in history.
May 19, 2024 · Roberto Rossellini was one of the most widely known post-World War II motion-picture directors of Italy. His films Roma città aperta (1945; Open City) and Paisà (1946; Paisan) focussed international attention on the Italian Neorealist movement in films. The son of a successful sculptor and.
- The Editors of Encyclopaedia Britannica
Nov 15, 2006 · Roberto Rossellini (b. Italy, 1906–1977) is a key artist of the mid-twentieth century whose contribution to cinema—particularly in his stunning adaptations of Neorealist strategies ( Rome Open City [1945], Paisan [1946])—is inestimable and whose influence on other directors, such as Jean-Luc Godard and Martin Scorsese, is profound.
Jan 12, 2009 · Jan. 12, 2009. See how this article appeared when it was originally published on NYTimes.com. ROBERTO ROSSELLINI. There is no figure in film history quite like Roberto Rossellini (1906-77), the...
Nov 15, 2006 · Roberto Gastone Zeffiro Rossellini (8 May 1906 – 3 June 1977) was an Italian film director, screenwriter and producer. He was one of the most prominent directors of the Italian neorealist cinema, contributing to the movement with films such as Rome, Open City (1945), Paisan (1946), and Germany, Year Zero (1948).
