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- Jayson Green of Pitchfork Media scored the album a 7.7, saying that, "Unknown Rooms is a short album, but its nine songs capture and sustain free-floating fear and menace," while Adrian Agacer of Tiny Mix Tapes gave the album four stars, stating, "This is a sparse album, Chelsea Wolfe's quietest, most beautiful album to date, showcasing a vulnerability that simultaneously pushes the listener's comfort level to its limits and is sincerely inviting in its simplicity.
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This is a sparse album, Chelsea Wolfe’s quietest, most beautiful album to date, showcasing a vulnerability that simultaneously pushes the listener’s comfort level to its limits and is sincerely inviting in its simplicity.
- Adrian Agacer
Oct 15, 2012 · On her latest release Unknown Rooms, Wolfe melds a distinctive aesthetic, rooted in the passing winds of her family’s background in country music and an affinity for Norwegian black metal, to form a compelling acoustic compilation. Wolfe excels in creating a visceral, albeit ethereal, sense of place for the unsuspecting listener.
Oct 29, 2012 · Unknown Rooms. For an album inspired by epiphanies, Chelsea Wolfe’s previous album, 2011’s Apokalypsis, was surprisingly dense. Beginning with rasps and distorted screams, its songs played out beneath a blanket of feedback, drones and reverb.
On her the acoustic Unknown Rooms, Los Angeles musician Chelsea Wolfe attempts to reconnect with her folk roots, allowing a few sunrays to poke into the gothic sepulchre she built on 2011's...
Unknown Rooms: A Collection of Acoustic Songs, Chelsea Wolfe’s third album, is such a vast departure from the scuzzy, lo-fi and downright demonic goth-folk we’ve come to expect from the...
Unknown Rooms is an excellent album, one that lived up to my expectations. The main reason being her ability to transition her plugged-in performance to a stripped-down acoustic guitar and strings arrangement.
Oct 16, 2012 · Based on rating 8.0/10. Unknown Rooms: A Collection of Acoustic Songs, Chelsea Wolfe’s third album, is such a vast departure from the scuzzy, lo-fi and downright demonic goth-folk we’ve come to expect from the northern California native that a clarifying subtitle was necessary.