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- "Shakespeare's valedictory play is also one of his most poetical and magical. The story involves the spirit Ariel, the savage Caliban, and Prospero, the banished Duke of Milan, now a wizard living on a remote island who uses his magic to shipwreck a party of ex-compatriots.
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As it was Shakespeare's last solo play, The Tempest has often been seen as a valedictory for his career, specifically in Prospero's final speech in which he tells the audience "Let your indulgence set me free", asking to be released from the stage one last time before retiring.
Jul 26, 2020 · It has been tempting, therefore, to view Prospero’s sentiment and his play as Shakespeare’s last word, his summation of a career and a philosophy, what critic Gary Taylor has called “the valedictory culmination of Shakespeare’s life work.”
May 23, 2024 · The Tempest, drama in five acts by William Shakespeare, first written and performed about 1611 and published in the First Folio of 1623 from an edited transcript, by Ralph Crane (scrivener of the King’s Men), of the author’s papers after they had been annotated for production.
- David Bevington
Introduction. Welcome to the enchanting world of The Tempest by William Shakespeare! Written around 1610-1611, this play is believed to be one of the last that Shakespeare wrote on his own. It combines elements of magic, betrayal, love, and forgiveness, set against the backdrop of a remote island full of mysterious spirits and powerful forces.
Overview. The Tempest by William Shakespeare, believed to have been written in 1610-1611, is a captivating play that blends elements of romance, magic, and political intrigue.
As we remarked then, The Tempest is essentially a fantasy story (or ‘romance’ to use the term that tends to be used to categorise The Tempest) featuring a magician, the ‘monstrous’ offspring of a wicked witch, treachery and conspiracy, drunkenness, fairies, a lavish masque, young lovers, and much else.
The Tempest probably was written in 1610–1611, and was first performed at Court by the King’s Men in the fall of 1611. It was performed again in the winter of 1612–1613 during the festivities in celebration of the marriage of King James’s daughter Elizabeth.
