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Twee pop has been seen as a feminist response to tough, invulnerable, masculine punk and post-punk music scenes of the time. Many Twee artists, such as Blueboy , were openly queer. [6] In the 1990s, Indiepop and Twee scenes rejected the sexist, homophobic, and racist attitudes of mainstream music.
- Beat Happening, “Beat Happening” It's impossible to discuss the history of twee pop without mentioning Beat Happening, the Olympia, Washington-based trio fronted by K Records founder Calvin Johnson.
- Talulah Gosh, “Backwash” While they never put out a proper full-length album during their two years together, English band Talulah Gosh were still able to establish a cult following that helped kick off the twee movement in the late '80s.
- Heavenly, “Heavenly vs. Satan” While K Records came to define the indie pop movement in the Pacific Northwest, the short-lived Bristol label Sarah Records was promoting the subgenre across the globe.
- Black Tambourine, “Black Tambourine” Another record label that was crucial to the early days of twee pop and indie rock was the Washington, D.C.- based Slumberland Records, whose co-founder Mile Schulman performed in Black Tambourine.
- Beat Happening. Perhaps the greatest proponent of twee pop. Formed in Olympia, Washington (a twee pop hub) in 1982 by Calvin Johnson, Heather Lewis, and Bret Lunsford, the band are also a landmark in lo-fi music.
- Tiger Trap. High school friends Angela Loy, Rose Melberg, Heather Dunn, and Jen Braun, the foursome only released one titular album on K Records but that was enough to secure their future influence.
- Belle & Sebastian. Glasgow has a proud indie pop tradition and Belle & Sebastian are arguably the greatest exporters of the form from Scotland’s music capital.
- The Field Mice. A Sarah Records artist, the London group might have tried their hand at a number of genres, including dance and punk, but it was all delivered with a sincere wide-eyed naivety.
Twee Pop. Twee Pop is perhaps best likened to bubblegum indie rock -- it's music with a spirit of D.I.Y. defiance in the grand tradition of punk, but with a simplicity and innocence not seen or heard since the earliest days of rock & roll. Twee pop traces its origins to 1986, the year the British weekly NME issued a cassette dubbed C-86, which ...
- Beat Happening, “Beat Happening” It’s impossible to discuss the history of twee pop without mentioning Beat Happening, the Olympia, Washington-based trio fronted by K Records founder Calvin Johnson.
- Talulah Gosh, “Backwash” While they never put out a proper full-length album during their two years together, English band Talulah Gosh were still able to establish a cult following that helped kick off the twee movement in the late ’80s.
- Heavenly, “Heavenly vs. Satan” While K Records came to define the indie pop movement in the Pacific Northwest, the short-lived Bristol label Sarah Records was promoting the subgenre across the globe.
- Black Tambourine, “Black Tambourine” Another record label that was crucial to the early days of twee pop and indie rock was the Washington, D.C.- based Slumberland Records, whose co-founder Mile Schulman performed in Black Tambourine.
May 1, 2014 · As a community, twee has been refreshingly open-minded. Twee taught kids that it’s okay to be shy and to welcome hand-drawn kittens, cardigans, and openly geeking out about precocious pop music ...
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Feb 11, 2022 · The original twee indie-pop scene had its own unique fashion aesthetic rooted in a kind of ramshackle thriftiness: corduroy, turtlenecks, anoraks, and ’60s threads culled from charity shops.
