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      • Rolling Stone has twice ranked him among the top twenty guitar players of all time. Vaughan was posthumously inducted into the Rock and Roll Hall of Fame in 2015, along with Double Trouble bandmates Chris Layton, Tommy Shannon, and Reese Wynans.
      en.wikipedia.org › wiki › Stevie_Ray_Vaughan
  1. Although his top-flight career was cruelly cut short, Stevie Ray Vaughan remains one of the most influential players of modern times. From his gear choices to his playing style, here’s why SRV remains one of the guitar’s true icons.

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  3. Although his mainstream career spanned only seven years, he is regarded as one of the most influential musicians in the history of blues music, and one of the greatest guitarists of all time. He was the younger brother of guitarist Jimmie Vaughan.

    • Guitar God
    • His Influences
    • His Style and Technique
    • His Gear
    • His Comeback

    Stevie Ray Vaughan was a beast on the guitar. He exuded raw power and swagger while wielding the six strings. Even though his mainstream career was short-lived because of a tragic accident that ended his life, he’s still widely considered as one of the greatest and most influential guitar players of all time. He was a force to be reckoned with espe...

    SRV was hard to ignore when he arrived into the music scene. It wasn’t because he was the first to fuse blues and rock but on the contrary, he helped reintroduce blues to the mainstream audience at a time when other genres were dominating both the airwaves and MTV. One of his influences is another guitar titan – Jimi Hendrix. But more than that, SR...

    While he drew inspiration from his guitar heroes, his style was his own. It’s unique – a mix of rock ‘n roll, blues, country, and even jazz. He could go wild and aggressive or slow and subtle. From electrifying numbers to acoustic arrangements, SRV knew when to let loose and when to hold back. His mastery of the instrument cannot be stated enough. ...

    It’s mostly basic and simple but customized according to SRV’s personal preferences. Aside from his Fender Stratocaster “Number 1”, his guitar collection included a 1962 sunburst Fender Stratocaster repainted in Fiesta Red, and a Stratocaster named after his wife “Lenny”. For playing acoustic, SRV had a Guild F-412 12-string guitar. Speaking about ...

    Throughout his life, he struggled with substance abuse. Alcoholism affected both his health and his career. But after successfully finishing a rehab program, he came back strong – injecting a newfound intensity into his music. Finding strength from his sobriety, his first album post-rehab highlighted his unparalleled axeslinging skills, immense tal...

    • Riviera Paradise. Controversial though it may be, no matter how much of a fan of SRV you are, it’s still possible to dismiss Riviera Paradise as expertly played musak.
    • Voodoo Child (Slight Return) Covering Hendrix note-for-note is a hiding to nothing, especially when it comes to one of his most magical, sacrosanct creations.
    • Texas Flood. This classic slow blues, unfurling like the dark rolling clouds depicted in its lyrics, became an early calling card for SRV. It’s a relatively close retread of Joe Scott and Larry Davis’ 1958 original, down to Fenton Robinson’s opening guitar hook and Davis’ sorrowful delivery, but in typical Stevie style, the intensity is ramped up by extra guitar solos and his impassioned vocal.
    • Lenny. Texas Flood was an impressively slick and fiery assault on the senses and sensibilities of guitar players at the time, but one listen to the languid, dreamy instrumental that closes the record confirmed something else – that there were clearly hidden depths to Stevie Ray’s style waiting to be explored.
    • Damian Fanelli
    • Texas Flood (Texas Flood) Stevie Ray Vaughan and Double Trouble – bassist Tommy Shannon and Chris Layton – didn’t walk into Jackson Browne’s Down Town Studio in Los Angeles in late 1982 with highfalutin' plans about recording their monster debut album.
    • Pride and Joy (Texas Flood) Imagine what radio listeners in 1983 thought when they first heard the fat, droning Eb notes that kick off Stevie Ray Vaughan’s Pride and Joy.
    • Voodoo Child (Slight Return) (Couldn’t Stand the Weather, 1984) It’s ballsy when any guitarist attempts to cover a Jimi Hendrix song, let alone a masterpiece like Voodoo Child (Slight Return).
    • Little Wing (Live at the El Mocambo, 1991) Vaughan’s electrifying performance of Jimi Hendrix’s timeless ballad during his July 20, 1983, performance at the El Mocambo Club in Toronto, Canada, is one of the best live versions he ever performed, beautifully filmed and captured at what was the very beginning of his rapid ascent to stardom.
  4. Jun 19, 2023 · His playing took Eric Clapton’s breath away and David Bowie called him the most exciting guitarist since Jeff Beck: how Stevie Ray Vaughan became a blues guitar hero

  5. Aug 27, 2021 · Despite having a career that spanned only seven short years, Stevie Ray Vaughans influence on blues guitar is immense. It’s impossible to overstate just how much his virtuosic yet accessible style informed those who came after him.

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