Search results
People also ask
What did Jimmy Miller bring to the stones?
How did Jimmy Miller impact the Stones' sound?
How did Jimmy Miller shape the Rolling Stones' sound?
What happened to Jimmy & the stones?
- Jimmy Miller’s first success came with the Spencer Davis Group, which featured a young Steve Winwood. As Miller explained to Nina Antonia from Record Collector, Chris Blackwell (who was both label chief of Island Records and manager to the Spencer Davis Group) “thought it might work for me to come over and do something with Steve and the Spencer Davis Group on ‘Gimme Some Lovin.’
- That’s Miller, not Charlie Watts, drumming on “You Can’t Always Get What You Want.” “I felt a rhythm figure that everyone liked, but Charlie didn’t feel it.”
- Miller is the man behind the famous cowbell in “Honky Tonk Women.” Musician Gary Wright, who knew Miller before he went over to the U.K., and later worked with him in the vastly underrated Spooky Tooth, recalls that Miller was a great producer and that “if you’d be doing something and it wasn’t quite happening, he’d go out and pick up a cowbell and go out into the studio and whole thing would turn around.”
- In 1968, he and Bill Wyman displayed some real-life heroism and we’re all the better for it. French New Wave director Jean-Luc Godard was at Olympics Studio filming the Stones arranging, rehearsing and recording “Sympathy for the Devil,” for his frustrating film of the same name (originally titled One Plus One).
Sep 1, 2016 · There's no doubt of Jimmy Miller's impact on the Stones' sound during their recording pinnacle - that period between 1968-1972 - when they produced their four best albums. He helped take the Stones to the next level and usher in the modern-sounding rock and roll era.
Oct 23, 2019 · “To understand Miller’s contribution,” J.P. Gelinas wrote in 2007, “one need only compare the albums Jimmy Miller produced for the Stones with the albums the band has made without him.”
Apr 3, 2024 · How did Jimmy Miller work with The Rolling Stones? Jimmy Miller produced several albums for The Rolling Stones, including Let It Bleed, Sticky Fingers, and Exile on Main St. He worked closely with the band members to achieve the sound they were looking for, and is credited with helping to create some of their most famous songs.
- "Gimme Shelter" What a groovy way to watch the world burn. "Gimme Shelter" opens with Richards' tumbling, intricate riff; a high, mysterious coo; and the scrape of producer Jimmy Miller's güiro.
- "Love in Vain" We can trace much of classic rock's DNA back to one man, Delta blues pioneer Robert Johnson, who only recorded 29 songs before his death at age 27 in 1938.
- "Country Honk" The Stones recorded two versions of their 1969 hit "Honky Tonk Women," but they should have only bothered with one. The first, issued as a stand-alone single, is a twangy, greasy rocker with the appropriate amount of swagger for a song about a "gin-soaked, bar-room queen in Memphis."
- "Live With Me" The snarling "Live With Me" revolves around a funky bassline tracked by Richards, not Wyman. (It also features Bobby Keys on sax and the twin pianos of Hopkins and Leon Russell.)
Nov 28, 2023 · “The important thing about Let It Bleed is the amount of work Keith did,” producer Jimmy Miller recalled. “When Brian died, Keith took over the musical leadership of the Stones, and did it brilliantly. I was afraid he’d overdo it.
In addition to producing five of their albums, Miller notably added instrumentation to several songs by the Rolling Stones. His contributions include the opening cowbell on " Honky Tonk Women " and drumming on " You Can't Always Get What You Want ," " Tumbling Dice ," " Happy ," and " Shine a Light ."
