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  2. Magic in fiction is the endowment of characters or objects in works of fiction or fantasy with powers that do not naturally occur in the real world. Magic often serves as a plot device and has long been a component of fiction, since writing was invented.

    • Nature-Based Magic. The first type of magic system is also the most common. Though often parsed out into their own ecosystems, nature-based magic systems are those which manipulate the forces and elements of nature.
    • Divination Magic. To put it plainly, divination magic is that which gains the user (or divines) insight into the unknown across time and space, such as the future, past, or across great distances and even dimensions.
    • Conjuring Magic. Systems that summon nouns (people, places, or things) to the mage’s location, or into existence, are conjuring magics. From Mage Hand to Find Familiar, conjuration is more than the mere teleportation of objects (though hopping through time and space is hella rad).
    • Psychic Magic. Magic of the mind, psychic magic systems harness the spellcaster’s mental abilities to affect worlds within the human, and non-human, psyche.
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    • Alchemy. Alchemy is the practice of changing a chemical element from one form into another. This seemingly magical process is carried out by an Alchemist.
    • Astral Magic. Astral magic is the overriding term for any magic that involves astral projection, astral travel, or the astral plane.
    • Binding Magic. Binding magic covers a broad category of magic which involves casting spells that prevent a person from doing something, e.g., binding them up.
    • Conjuration. Conjuration, or conjuring, involves summoning spirits, demons, gods, objects, or energy into the earthly realm through the forces of magic.
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    • One Hundred Years of Solitude by Gabriel García Márquez (1967) Considered a great writer’s greatest work, One Hundred Years of Solitude traces the fortune of the Buendía clan — the founding family of a fictional town in Márquez’s native Colombia — over, well, a hundred years.
    • Midnight’s Children by Salman Rushdie (1981) A magical realist take on the legacies of British imperialism, Midnight’s Children follows Saleem Sinai, a young telepath with an animal-keen sense of smell.
    • The House of the Spirits by Isabel Allende (1982) First started as a letter to her dying grandfather, The House of the Spirits catapulted Chilean writer Isabel Allende into the literary stratosphere.
    • Nights at the Circus by Angela Carter (1984) An aerialist who keeps her circus afloat with her dazzling escapades, Sophie Fevvers was born with the nubs of wings on her shoulder-blades.
  3. Dec 29, 2020 · Sanderson explains that with hard magic systems, readers know where the magic comes from, how it’s used, who uses it, and what its boundaries and limitations are. Fantasy-based games like D&D and World of Warcraft are perfect examples of this, and a lot of writers use them as inspiration for creating hard magic systems of their own.

  4. Nov 29, 2021 · As a quick introduction, a magic system is a set of rules that guides what magic can or can’t do in your world. It dictates what kinds of magic exist in the world, their limitations, and who can use them for example.

  5. Dec 10, 2019 · What specific magic do they use–what’s its range, medium, and change it affects–and how is that different from the tropey world of Euro-myth/Medieval-lit fantasy fiction? The more you read, the more ideas, stories, and worlds you’ll have to reference–and the better your writing will be.

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