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  1. Jun 25, 2020 · He has been dubbed Chevalier des Arts et des Lettres by the French government, and in 2015 was awarded the French-American Foundation’s fiction translation prize for Manchette’s The Mad and the Bad. We sat down with Nicholson-Smith to better understand Manchette’s approach to crime fiction and the problems of translating him into English.

  2. Mar 19, 2015 · Jean-Patrick Manchette. Translated by James Brook. The tense mood of Paris following the Charlie Hebdo and Hyper Cacher attacks echoes that of the French capital in the 1960s. Then, too, the city was marked by both the reality and the nervous anticipation of violence. That decade opened under the shadow of a colonial war with Algeria and closed ...

  3. Jean-Patrick Manchette. Jean-Patrick Manchette (19 December 1942, Marseille – 3 June 1995, Paris [1]) was a French crime novelist credited with reinventing and reinvigorating the genre. He wrote ten short novels in the seventies and early eighties, and is widely recognized as the foremost French crime fiction author of that period.

  4. Jean-Patrick Manchette (1942-1995) was a prolific French crime novelist, film and TV scriptwriter, translator, critic, and all-around laborer in Grub Street. His greatest achievement, almost certainly, was the cycle of ten or so dark social novels he produced in the 1970s the wake of (and much under the influence of) the May 1968 uprising in […]

  5. Manchette's leftist politics are evident in his writings. As James Sallis wrote in the Boston Globe, "Manchette consistently skewered capitalist society and indicted the media for their emphasis on spectacle. He saw the world as a giant marketplace in which gangs of thugs—be they leftists, terrorist, or socially approved thugs like police and ...

  6. Jul 23, 2020 · Manchette, similarly disaffected, if for radically different reasons, produced an important corpus of literature over four decades that demonstrates an engaging attempt by an ultra-left thinker to respond to the ossification of Europes institutionalized left, and its capitulation to authoritarianism.

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  8. Bringing together an anarchist orphaned by the Spanish Civil War, a Communist veteran of the French resistance, a frustrated high-school teacher of philosophy, a timid office worker, a terminal alcoholic, and one uncompromising young woman with a house in the country, Nada sets out to kidnap the American ambassador and issue a call to arms.

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