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The Palazzo del Cinema on the Lido di Venezia is the main headquarters for the Venice International Film Festival. Built in record time in the Modernist style of the time, it was inaugurated on August 10th 1937 for the fifth edition of the Festival. Compared to the rhetorical monumentality of the nearby Casino building, the Palazzo del Cinema, which features a Hall and a 1032-seat screening ...
And, indeed, the Venice Film Festival is an important and significant, magical and glamorous event in which the Lido relives the splendour of its golden years, with the Palazzo del Cinema at its heart. The first edition of 1932 was held on the terrace of the Hotel Excelsior, but the success of the Festival made it necessary to build a separate ...
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Palazzo del Cinema di Venezia. Palazzo del Cinema di Venezia is the place that hosts the Venice Film Festival and congress activities, located in Lido di Venezia, Venice, Italy. Description. There are three theaters in Palazzo del cinema: la Sala Grande with over 1 032 seats, the Zorzi (48 seats) and Pasinetti (119 seats) theatres. History
Though quite removed from Venice, it is intended to have the attributes of a Venetian palace. Among other things, this means endowing it with a permanent awareness of the city’s mysterious presence. It must be stressed that the Palazzo del Cinema is above all a point of encounter, a meeting place and a market.
The fifth year of the festival saw the establishment of its permanent home. Designed and completed in 1937, the Palazzo del Cinema was built on the Lido. It has since been the site for every Venice Film Festival, except the three years from 1940 to 1942, when it was held outside of Venice fear of bombing that never came. 1940s
Palazzo del Cinema di Venezia is the place that hosts the Venice Film Festival and congress activities, located in Lido di Venezia, Venice , Italy. The first cinema exhibition was held on the terrace of the Hotel Excelsior on August 6, 1932. But, with the growing success, it became necessary to build a proper and prestigious venue; this took ...
Eugenio Miozzi’s angular, Rationalist ‘Palace of Cinema’ was in keeping with the ambitious modernism of the early 1930s, when business tycoon and Fascist minister Count Giuseppe di Volpi cleverly conceived of the Venice Film Festival as a means of fostering the Lido's upmarket tourism industry.
