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Jun 30, 2023 · As Keith breaks into the opening riff, Berry stops him to make what seems a minor correction to a double-stop slur near the top of the fourth measure. “That slur is starting right here,” Chuck says as he demonstrates.
- The Last Time (1965) This UK number one single issued in early 1965 heralded a golden age of Stones 45s – it was also the first Jagger/Richard penned A side.
- (I Can’t Ge No) Satisfaction (1965) The almost horn-sounding riff came courtesy of a newly arrived fuzz tone pedal. It rings loud and clear throughout this anthemic single of pent-up angst.
- Jumpin’ Jack Flash (1968) After dabbling in psychedelia with Their Satanic Majesties Request, the Stones got back to doing what they do best – namely roughshod rock’n’roll.
- Honky Tonk Women (1969) Their first single after the departure from the group and sad demise of Brian Jones, this summer of ‘69 worldwide smash is graced with one of the all-time great intros.
Dec 18, 2017 · For the epic Jumpin' Jack Flash riff, Richards showcased his open D tuning using a capo to E on an acoustic. The recording has a second acoustic guitar playing the opening chord and lick in Nashville tuning, but an octave higher.
Oct 26, 2023 · Keith Richards' opening riff in "H ...more. The Rolling Stones:There's a reason why certain riffs in rock history transcend generations and remain iconic years after they first graced our...
- Satisfaction. When I wrote the song, I didn’t think of that particular riff as the big guitar riff. That all fell into place at RCA [recording studio in L.A.]
- Mother’s Little Helper. The main riff is a 12-string with a slide on it. It’s played slightly Orientalish. This was even before sitars were used in rock music.
- Paint it Black. Brian [Jones, Rolling Stones founder and Richards’ original co-guitarist] got into the sitar and used it on a few things, like Paint It Black.
- Jumping Jack Flash. Jumping Jack Flash comes from this guy, Jack Dyer, who was my gardener - an old English yokel. Mick and I were in my house down in the south of England.
Stones classics from this period – Brown Sugar, All Down The Line, Can’t You Hear Me Knocking, Bitch, Rocks Off, and many more – were so reliant on Richards’ riffs, one might claim it didn’t really matter who was on ‘lead’ guitar. Richards’ road to his specific open G style was a meandering one.
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Dec 21, 2023 · The opening riff of “Start Me Up” is undeniably one of Richards’ most iconic contributions. Born from his switch to open G tuning, it remains a mark of his impeccable ear for melody. Richards’ recollection of the song’s evolution adds a layer of complexity to its history, revealing his initial misjudgment of its genre.
