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Kienholz’s Five Car Stud (1969–72), a nightmarish depiction of racist lynch-mob justice in the United States, represented an entirely different concept of reality from Thek’s expansive and death that had a formative influence on Szeemann’s concept of “individual mythologies.”. These “individual mythologies” were juxtaposed with ...
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Auch Concept Art und Happening prägten das Bild der...
- About
The documenta Institut is being developed in a cooperation...
- 1955 D
Studied painting and graphic art at the Kunstakademie...
- 1997 X
In an effort to fix the position of the documenta at the end...
- 1992 IX
In his introduction to the catalogue, Hoet wrote that the...
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While space in documenta Halle was devoted primarily to...
- Documenta 14
In Kassel, many of the central themes of documenta 14 were...
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Every documenta since 1977 has featured site-specific works...
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To kick things off, the art event documenta fifteen will be...
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documenta und Museum Fridericianum gGmbH Friedrichsplatz 18...
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The Art & Language group that exhibited in the international Documenta 5 exhibitions of 1972 included Atkinson, Bainbridge, Baldwin, Hurrell, Pilkington, Rushton, and Joseph Kosuth, the American editor of Art-Language. The work consisted of a filing system of material published and circulated by Art & Language members. Projects
documenta 5 was the fifth edition of documenta, a quinquennial contemporary art exhibition. It was held between 30 June and 8 October 1972 in Kassel, West Germany. The artistic director was Harald Szeemann. The title of the exhibition was: Befragung der Realität – Bildwelten heute / Questioning Reality – Pictorial worlds today.
The Art & Language group that exhibited in the international Documenta exhibitions of 1972 included Atkinson, Bainbridge, Baldwin, Hurrell, Pilkington and Rushton and the then America editor of Art-Language Joseph Kosuth. The work consisted of a filing system of material published and circulated by Art & Language members.
30 June - 8 October 1972. Kassel. documenta 5 in 1972 was regarded as the most important caesura in the history of the documenta thus far, as from now on the exhibition was placed under the aegis of an artistic director. As a response to the increasing complications arising from the internal organizational limits, as had been all too evident at ...
As their practice developed, these descriptions grew discursive, complex and elaborate, while the physical art object disappeared – most famously, perhaps, at the presentation of Index 01, 1972, at Documenta 5 in Kassel, Germany, where the group exhibited indexes and cross-references of eight filing cabinets filled with their writings.
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Oct 4, 2023 · The Art & Language Institute (1971–72) was the name under which the group entered Documenta 5 in 1972. Art & Language Limited was an attempt to form a company; it was registered as a private corporation in Great Britain but little else came of it.
