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  1. Cesare Pavese (UK: / p æ ˈ v eɪ z eɪ,-z i / pav-AY-zay, -⁠zee, [1] Italian: [ˈtʃeːzare paˈveːse, ˈtʃɛː-,-eːze]; 9 September 1908 – 27 August 1950) was an Italian novelist, poet, short story writer, translator, literary critic, and essayist. He is often referred to as one of the most influential Italian writers of his time.

  2. Cesare Pavese (born Sept. 9, 1908, Santo Stefano Belbo, Italy—died Aug. 27, 1950, Turin) was an Italian poet, critic, novelist, and translator, who introduced many modern U.S. and English writers to Italy.

    • The Editors of Encyclopaedia Britannica
  3. Cesare Pavese is widely regarded as one of the foremost men of letters in twentieth-century Italian cultural history, and in particular as an emblematic figure: an earnest writer maimed by fascism and struggling with the modern existentialist dilemma of alienated meaning.

  4. Cesare Pavese, regarded as one of Italys most important twentieth-century poets, was born on September 9, 1908, on his parents’ farm in Santo Stefano Belbo, a small town in the Piedmont region near Turin.

    • The Langhe, The Place of Mythos
    • His Passion For American Literature
    • Cesare Pavese’s Turin
    • The Confinement
    • His Work at Einaudi
    • Einaudi’s Series
    • His Last Years

    Cesare Pavese was born inSanto Stefano Belbo on 9 September 1908, in what was his parents’ country house. Even if he spent most of his life in Turin, the Langhe represented the place where he belonged and the mythical universe he drew from to develop his literary work. Santo Stefano Belbo, a small Piedmontese village between the Langhe and the Monf...

    It was 1932 when Melville’s Moby Dick was first published in Italy by Frassinelli Tipografo Editore, translated by Cesare Pavese for 1000 lire. At the time, Cesare Pavese was a young American literature enthusiast. He started his journey of discovery and dissemination of overseas literature with a dissertation on Walt Whitman, in 1930. Throughout t...

    The core of Einaudi’s publishing structure took shape in the ‘20s, on the desks of Liceo Ginnasio Massimo d’Azeglio in Turin, where the anti-fascist intellectual Augusto Monti was teaching. His alumni collective used to gather at Caffé Rattazzi or in their respective homes to talk about politics, philosophy and literature. The group was composed of...

    Cesare Pavese got into this cultural and political atmosphere. Despite his contradictory attitude towards his mates’ positions – he had subscribed to the Fascist national party so that his sister Mary could teach in public schools – in 1935 he was arrested for a transit of letters from his house that were addressed to Battistina Pizzardo, a Communi...

    On 1 May 1938 Pavese officially became an editor at Einaudi. The directorate was composed of Giulio Einaudi, Leone Ginzburg, Giaime Pintor, Carlo Muscetta, Mario Alicata and other collaborators, including Norberto Bobbio, Elio Vittorini and Natalia Ginzburg. The directorate marked the, yet informal, beginning of the editorial meetings and decision-...

    Among its main series, I Saggi (Essays – launched in 1937), I Narratori stranieri tradotti (Foreign Novelists Translated – 1938), I Poeti (Poets – 1939), I Narratori contemporanei (Contemporary Novelists – 1941), L’Universale Einaudi (Einaudi Universal – 1942). I Coralli (The Corals) was launched in 1947. It was a series composed of emerging Italia...

    Pavese experienced a progressive detachment and a growing autonomy from the literary culture of his times, from contemporariness and current events, fueled by an increasingly strong interest in ethnology and the poetics of classics and mythos. His attitude towards fame was equally peculiar. Natalia Ginzburg recalled that in the last years he had be...

  5. May 9, 2018 · Cesare Pavese (1908-1950), novelist, poet, and critic, ranks as perhaps the most important Italian novelist of the 20th century. His work fuses considerations of poetic and epic representation, the theme of solitude, and the concept of myth.

  6. Italian novelist, poet, and critic. The elegance and clarity of his prose goes far beyond simple realism; the quietly disturbing imagery of deserted roads and towns and of emptiness in nature has had not only a literary influence but has been felt by artists in other media, as for example in the films of Antonioni.

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