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    • William Wyler | Biography, Movies, Assessment, & Facts
      • His painstaking methods on the set earned him the nickname “40-Take Wyler,” yet a plethora of actors won Academy Awards for their work with Wyler, who was himself the recipient of three Oscars and eight additional nominations for best director.
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  1. Aug 26, 2024 · His painstaking methods on the set earned him the nickname “40-Take Wyler,” yet a plethora of actors won Academy Awards for their work with Wyler, who was himself the recipient of three Oscars and eight additional nominations for best director.

    • Michael Barson
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  3. A perfectionist, Wyler earned the nickname "40-take Wyler". On the set of Jezebel , Wyler forced Henry Fonda through 40 takes of one particular scene, his only guidance being "Again!" after each take.

  4. www.imdb.com › name › nm0943758William Wyler - IMDb

    Though Wyler elicited some of the finest performances preserved on film, ironically he could not communicate what he wanted to an actor. A perfectionist, he became known as "40-Take Wyler", shooting a scene over and over again until the actors played it the way he wanted.

    • January 1, 1
    • Los Angeles, California, USA
    • January 1, 1
    • 1.73 m
  5. Mar 10, 2023 · In some circles, Wyler was known as "40-Take Wyler," as that's how many times he insisted on shooting certain scenes. Henry Fonda recalled a time during "Jezebel" when Wyler would cut the...

    • Witney Seibold
  6. Nov 17, 2023 · Wyler was known to be a perfectionist, which earned him the nickname "40-Take-Wyler." He was relentless in his pursuit of emotional depth and complexity and was skilled at taking from both the...

    • Briana Rodriguez
  7. Sep 3, 2023 · Decades before Stanley Kubrick famously shot the “staircase scene” from The Shining 127 times, Wyler earned the nickname of “40-take Wyler” from his contemporaries for his insistence on redoing...

  8. William Wyler had something of a reputation in Hollywood. Nicknamed “40 Take Wyler” or even “50 Take Wyler” (depending, as several biographers have noted, on who was telling the story), the filmmaker was a stickler for striking just the right note with a scene.1 And on Best

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