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The unknown Jacob Moerman was registered as his pupil while Willem Panneels and Justus van Egmont were registered in the Guild's records as Rubens's assistants. Anthony van Dyck worked in Rubens's workshop after training with Hendrick van Balen in Antwerp.
This experience provided the groundwork for his extraordinary output of religious pictures during the next fifteen years in Antwerp, which he managed by organizing a large workshop of pupils and assistants.
Rubens’ ablest pupil and assistant was Anthony van Dyck, who worked with him on several commissions between 1618 and 1620. Compared with Rubens’ drawn oeuvre, that of Van Dyck is not as varied. For instance, he left us no designs for book illustrations or for large decorative schemes, such as tapestries or pictures in monumental series.
May 18, 2018 · With the aid of his pupils and assistants, he achieved an astonishing output of pictures—more than two thousand paintings have been attributed to his studio. The most brilliant of these assistants was Anthony Van Dyck (1599–1641), who joined Rubens's workshop in 1617 or 1618 and helped in the execution of a number of important commissions ...
Wouters is a Lier-born painter who first trained under Pieter van Avont before becoming Rubens’ pupil in 1634. He enrolled as a master in the Guild of St. Luke in 1635. In the early years of his independent career, Wouters assisted Rubens on several occasions.
Rubens received so many orders for large paintings that he set up a huge studio. He usually only did the sketches for the composition, the principal figures, and the finishing strokes himself. The filling in was done by paid assistants and pupils.
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In May 1600, with two years' seniority as a master in the Antwerp Guild of St Luke, Rubens set out with Deodatus del Monte, his constant traveling companion and first pupil, for the visual and spiritual adventure of Italy.
