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      • The city shut the club down after just nine months, but Kemper found work with veteran engineer Howard Gale at a recording studio. It gave him a chance to watch major bands record up close, and to meet legendary studio cats like Larry Knechtel, Joe Osborn, and Max Bennett.
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  2. Sep 9, 2022 · Kemper started playing drums on demos at the studio, but quickly graduated to master recordings at the dawn of the Seventies. It was the start of a long career that...

  3. Dec 24, 2017 · This despite Kemper having put down early demos of material at Lanois' LA studio before everyone decamped to Miami to record the eventual album. Kemper, Lanois said, made Bob's band "sound like a bar band." Ouch. Pivot to an interview with Kemper in Rolling Stone from last September.

  4. Jul 12, 2017 · Another trick some artists are using is to profile the amps/signal chain used in specific tracks in the studio while recording (always have a Kemper in line for profiling), then use those profiles for live performance of the same songs.

  5. Oct 24, 2008 · And Bob said, tomorrow let’s go in the studio, I got a song I want to record. We went in and he played “Things Have Changed”. And we did it with only an engineer in New York.

  6. Aug 4, 2022 · We go over and I get on the organ and we do three songs. ... Seals joined Garcia at Dead’s Club Front recording studio in San ... Kemper, who went on to play in Bob Dylan’s band from 1996 to ...

    • Andy Kahn
  7. Sep 30, 2017 · Tensions boiled over as they worked onCold Irons Bound,” which began, according to Kemper, when Dylan found the drummer in the studio playing around with a Cuban-influenced disco beat.

  8. May 13, 2019 · Put it post stack as this is the Kemper's stereo section (pre stack is mono). For listening to the other tracks you need to route an output of your interface to the back inputs of the Kemper. This is explained in detail in the manual. Search for "Alternative Input" within the Pdf. I believe there must be a Kemper tutorial on YouTube too.

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